haverholm

joined 4 months ago
[–] [email protected] 5 points 2 days ago

I know what I'm watching tonight.

[–] [email protected] 27 points 3 days ago (2 children)

I don't think you sound confrontational, but neither do I consider my internet searching particularly advanced. A lot of my searches are exactly what you describe, and a lot is trying to find a good research rabbit hole to go down. Call me curious.

I'm just sceptical, primarily of Google Search's inroads into surveillance monetisation and effective monopoly. For the same reasons I am as critical of the other "market leaders" you mention; I don't consider the ability to inspire brand loyalty in millions of consumers to sell crap products a quality 🤷

[–] [email protected] 95 points 3 days ago (59 children)

I'm more surprised that people still use Google search at all after the years of enshittification — first the SEO crap, then "personalized search" bubbles, and finally the "AI" idiocy. Even shouting questions down a wishing well seems more productive at this point.

[–] [email protected] 2 points 3 days ago (1 children)

On the face of it, all eight of these sound pretty exciting to me. I'm most excited to see a break from the Western mythosphere with The story and the engine, and probably least about the Eurovision gimmick episode — but I hope a bit of Doctor Who will sweeten the ~~pop~~ pot for me.

Yeah, The well — no telling what that is yet, except apparently it's a horror story, and I do love those. Besides, if it's "weird" the way Wild blue yonder was weird, I'm here for it.

I just don't know about the two-part finale. It could be interesting, but it's hard to say how much of it only holds water in a short summary delivered with a lot of bluster. Cautiously optimistic here.

[–] [email protected] 2 points 3 days ago (1 children)

Thanks for this extended preview! I did notice there was no Lux preview on X(cancel), but there's obviously loads more than the screendumps showed. Thank you public libraries!

[–] [email protected] 1 points 3 days ago

Apparently they're Bone beasts, according to Radio Times' episode-by-episode season preview:

(Edit: Sorry, though I could spoiler tag or blur the image!)

Episode description for "Wish world": Everyone get ready to rejoice! Because the Great Day is coming. The most important date in history. The clock is ticking and everyone is preparing for a joyous tomorrow, when the whole world will change forever. Here we go! It's season finale time, with a great big two-part story blasting the roof off anything we've made before. Welcome to a strange new world in which the old saying " There'd many a slip 'twixt cup and lip" is gaining a terrifying new power. But what are the Bone Beasts? Why is Mrs Flood (Anita Dobson) hiding in the sky? What secrets do the Dispossessed keep? And why is a mysterious message echoing across time and space, saying "Tables can't do that"?

[–] [email protected] 13 points 4 days ago

I'm not downvoting, because you're definitely right that the intents of the people in and behind this administration have been telegraphed for years. The responsibility is really on the shoulders of everybody who refused to believe they would follow through.

Project 2025 spelled out their game plan, but people around the world took false comfort that Trump would definitely be a normal president this time, and respect the fundamental democratic and parliamentary process. Well, guest what.

The political pendulum has commuted from left to right on a regular basis for so long, the imagined worst case scenario was that the US would have to wait out Trump v2 for four years and Democrats could get back to business. But part of Project 2025's agenda is to stop the pendulum and make sure there is nothing to return to.

I'm sad for my US friends and colleagues that are caught in this teardown, but nobody should be able to say they didn't see this coming a mile away.

[Minor edits]

[–] [email protected] 14 points 4 days ago

What I take away from these testimonies is that, again, the people in charge show that they have little understanding of and zero respect for the skills and craft of creatives — and in this case also programmers. We always knew that, but it is next level offensiveness to demand that skilled professionals use a subpar technology to "generate" ideas, designs and code.

The art director who forgets all his learned process of idea development and instead just prompts Midjourney until he sees something he likes (but which his staff will have to backward engineer to make sense of) is a terrifying image of things to come. Fortunately I'm long out of the corporate creative treadmill.

[Edited to spell "Midjourney" as one word. This is my organic human accreditation 😄]

[–] [email protected] 2 points 5 days ago

I genuinely thought you were looking for Australian imports advice 😂

Hope you find a pant solution that works for you!

[–] [email protected] 3 points 5 days ago

There truly is no ~~spoon~~ wrong thread 😂

[–] [email protected] 5 points 5 days ago (2 children)

Curated circlejerk 🧐

[–] [email protected] 1 points 5 days ago

Does anything scream "summer!" louder than this vinyl? Not in my book.

The vinyl mentioned in OP, now still on the platter.

 

WHAT IS THIS?

It's my status page where I plunk down random thoughts.

 
 
 
 

I'm just going to assume "Nicole"'s photos are scraped from somebody unrelated's socials. Has anybody tried digging online to find her* and find out if she knows she's become Fediverse Chicked?

* Presumed pronouns, I'm open to corrections.

 

No way this is 30 years old.

Take your "maths" and shove 'em, I said no!

 
 
 

Because everybody deserves an early morning space age theme to get the weekend started.

 

Nathaniel Merriweather Presents Lovage Avec Michael Patton* & Jennifer Charles, "Music To Make Love To Your Old Lady By" (2001). Turquoise vinyl.

 

Secret Chiefs 3, "First grand constitution and bylaws" (originally published 1996, this is the 2021 French pressing)

 

Spektr, "Mirage" (2023)

This instrumental band specialises in a genre or set of genres that usually play second fiddle to cinema visuals — the movie soundtrack. The twist being, these scores aren't for any movies actually filmed.

Spektr plays within the genre to paint original, evocative soundscapes that borrow moods and ambiences but never whole cloth tracks from Morricone, Carpenter, Peter Thomas, and others. With tracks called "March of the CEOs", "Point Nemo", "Unicef", and "WHO", this album seems to be within the conspiracy thriller genre.

With their craftsmanship and sense of the dramatic — bordering on but never crossing seriously into kitsch — Spektr sits comfortably next to some Secret Chiefs 3 albums on my shelf.

Side note: The band shares a name with a better known(?), French black metal project. Interestingly, "Mirage" is published on a small label that primarily publishes black and death metal bands, and I sort of suspect they wanted to have any "Spektr" on their roster to beef up their BM cred...

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