th3raid0r

joined 2 years ago
[–] [email protected] 4 points 1 month ago (1 children)

Agreed on aperture fever. I find 10" the largest manageable size unless you get an Obsession Ultra Compact for $$$$$.

Didn't really consider binos for OP since viewing anything more than 45 degrees up is a pain without a proper mount. A dob is easier to use near the horizon than using a bino to view straight upwards.

[–] [email protected] 4 points 1 month ago (1 children)

For 200 you could probably land yourself an old criterion telescope or used Skywatcher. The important part is the aperture. For good nebula and Galaxy viewing, you're going to want at least 6 in of aperture. But more is better.

Definitely check Craigslist, Facebook marketplace, and cloudy nights classifieds.

[–] [email protected] 4 points 2 months ago

100%

So many self-identified progressives or leftists aren't deemed moral enough to even be allies with.

I have far more moderate friends than I do leftist friends.

I have more conservative friends than I do leftist friends.

And to become moral enough for the left, you need to cut out everybody else in your life except the left.

The left expects you to cut out all of your support network, but then refuses to be a support network in and of itself. Leftists are the shittiest friends I've ever had. The constant judgment and moralization just drove me away.

[–] [email protected] 6 points 2 months ago

I disagree. The modern left is too busy and moralizing consumption, people's personal mistakes, and vilifying them before they even get to the table.

If you listen to the lefts big influencers, you would have to cut out your family, a good chunk of your friends, and are expected to maintain exclusively left-leaning relationships.

The left needs a heaping dose of pragmatism.

I say this as a person who identifies as a leftist. I say this as a person who's tried to spread the word of multiple community actions here in Tucson, only to not get resources because the various progressive organizations don't deem me progressive enough.

So yeah, I have an entire website, that could advertise crucial community action. But people aren't willing to send me graphics to upload in the various languages and won't forward me to the organizations that initially planned these things. All because I don't measure up to their moral standards.

All in all. Fuck The Democratic socialists of America. Fuck modern progressivism.

They are all no show pieces of shit.

The moderates in my life all do far more for their community than anybody on the left.

It's moderates I find running the soup kitchen. It's moderates that decide to start businesses and grow their local power.

[–] [email protected] 5 points 2 months ago

Pretty sure it's against the TOS to do that. So if found, the account is simply terminated and it ceases being valuable. That means that even if it's sold - it's value isn't in the games, but your friend network - as a sort of trojan spam/burner account. Which also means that it's not worth more than a few dollars at MOST unless you're some big-time twitch streamer with a vast network of steam friends.

So yeah, just be aware of what you're getting into. It's not likely some guy who wants an instant steam library - it's someone who wants to exploit your friends, family, and acquaintances for money via scams. Don't be that guy.

[–] [email protected] 10 points 2 months ago (1 children)

I liked it just fine!

I know there are a lot of Asimov diehards that found it disappointing. I don't know why. The iRobot book wasn't even really a book, it was a collection of short stories. Not exactly an easy thing to adapt to a movie.

[–] [email protected] 11 points 3 months ago (1 children)

I think this take is starting to be a bit outdated. There have been numerous films to use Blender. The "biggest" recent one is RRR - https://www.blender.org/user-stories/visual-effects-for-the-indian-blockbuster-rrr/

Man in the High Castle is also another notable "professional" example - https://www.blender.org/user-stories/visual-effects-for-the-man-in-the-high-castle/

It's been slow, but Blender is starting to break into the larger industry. With bigger productions tending to come from non-U.S. producers.

There is something to be said about the tooling exclusivity in U.S. studios and backroom deals. But ultimately money talks and Autodesk only has so much money to secure those rights and studios only have so much money to spend on licensing.

I've been following blender since 2008 - what we have now is unimaginable in comparison to then. Real commercial viability has been reached (as a tool). What stands in the way now is a combination of entrenched interests and money. Intel shows how that's a tenuous market position at best, and actively self destructive at worst.

Ultimately I think your claim that it's not used by real studios is patently and proveably false. But I will concede that it's still an uphill battle and moneyed interests are almost impossible to defeat. They typically need to defeat themselves first sorta like Intel did.

 

cross-posted from: https://tucson.social/post/1320798

Hi Folks!

With all the recent hysteria around drones/orbs right now. I wanted to offer a clear guide on how to get the best results when attempting to photo or video something you see.

If someone thinks they see a UFO - please know that quality is paramount right now. You should treat it like such. This isn't something folks can just whip out a phone and try and capture without contributing to the already-bad data. Given how long this mystery has persisted, I've been really surprised at how low effort most evidence is. Is this not important? Don't we want to get to the bottom of things? Well then, read on, here's how:

  1. ALWAYS- Validate what you are seeing with public data. Use AR Astronomy apps to rule out bright stars and planets. Use AR Flight Radar apps to rule out commercial planes. Also ensure you aren't looking at a lens flair by comparing against other light patterns in the image.
  2. ALWAYS- Use a tripod or stabilization of some sort and film from a stationary area. Even a mini tripod is better than nothing. Oh, and pull over if you're driving or ask to pull over if you are a passenger. This is important enough to pull over for right?
  3. ALWAYS- Lock your focus to infinity. You might need a 3rd party app to do it. Anything further than a few hundred feet doesn't need a focus wheel - just go straight to "infinity" or as far out focus as you can and lock it.
  4. TRY - To get as much data as possible. Is the orb still there? Do you have battery? Don't stop recording! 6 second snippets are a trend worth fighting against.
  5. TRY - Astrophotography mode if your phone supports it. It stacks thousands of exposures and tries to increase detail. Stop the capture if the subject moves to avoid streaks.
  6. TRY - Lucky imaging if you don't have an Astro mode on your phone. This means locking your shutter speed to 1 second, with a moderate-high ISO (about 3/4 of the way to max ISO) and taking images continuously. This can later be stacked in a photo editor or astronomy stacker where you can fine tune the image and get insane amounts of detail.
  7. TRY - To use a telescopic lens OR mount your camera to a telescope of some type. Many of the videos suggest that these anomalies are often stationary for long enough to be viewable in astronomy telescopes.

If you follow these tips, you'll get better photos than 90% of what's being shared recently. Even if you're using a smartphone.

Anyone else have good tips?

 

Hi Folks!

With all the recent hysteria around drones/orbs right now. I wanted to offer a clear guide on how to get the best results when attempting to photo or video something you see.

If someone thinks they see a UFO - please know that quality is paramount right now. You should treat it like such. This isn't something folks can just whip out a phone and try and capture without contributing to the already-bad data. Given how long this mystery has persisted, I've been really surprised at how low effort most evidence is. Is this not important? Don't we want to get to the bottom of things? Well then, read on, here's how:

  1. ALWAYS- Validate what you are seeing with public data. Use AR Astronomy apps to rule out bright stars and planets. Use AR Flight Radar apps to rule out commercial planes. Also ensure you aren't looking at a lens flair by comparing against other light patterns in the image.
  2. ALWAYS- Use a tripod or stabilization of some sort and film from a stationary area. Even a mini tripod is better than nothing. Oh, and pull over if you're driving or ask to pull over if you are a passenger. This is important enough to pull over for right?
  3. ALWAYS- Lock your focus to infinity. You might need a 3rd party app to do it. Anything further than a few hundred feet doesn't need a focus wheel - just go straight to "infinity" or as far out focus as you can and lock it.
  4. TRY - To get as much data as possible. Is the orb still there? Do you have battery? Don't stop recording! 6 second snippets are a trend worth fighting against.
  5. TRY - Astrophotography mode if your phone supports it. It stacks thousands of exposures and tries to increase detail. Stop the capture if the subject moves to avoid streaks.
  6. TRY - Lucky imaging if you don't have an Astro mode on your phone. This means locking your shutter speed to 1 second, with a moderate-high ISO (about 3/4 of the way to max ISO) and taking images continuously. This can later be stacked in a photo editor or astronomy stacker where you can fine tune the image and get insane amounts of detail. If you find that the subject is too bright, reduce ISO first, then reduce shutter speed.
  7. TRY - To use a telescopic lens OR mount your camera to a telescope of some type. Many of the videos suggest that these anomalies are often stationary for long enough to be viewable in astronomy telescopes.

If you follow these tips, you'll get better photos than 90% of what's being shared recently. Even if you're using a smartphone.

Anyone else have good tips?

EDIT: Added note about what to do if lucky imaging subject is too bright.

[–] [email protected] 4 points 3 months ago (1 children)

I mean, regional instances don't have to stop folks from engaging primarily with interest based communities.

Some regions will dominate certain interests for example - here in Tucson we're consider one of the Amateur Astronomy capitals of the world. If mander.xyz were to disappear tomorrow, Tucson would make a good home for all of the fediverse's astronomy needs even though its a region based instance.

Further, there's nothing that states an interest-based instance needs any registration. One could imagine a world where local instances have all the users and identities, and the interest based instances simply provide communities to the larger fediverse with no users of their own.

But yeah, it's definitely a paradigm shift that makes interest based communities a bit more difficult to find.

[–] [email protected] 5 points 3 months ago (1 children)

Oh okay! I'm sorry about the misunderstanding.

[–] [email protected] 4 points 4 months ago (6 children)

???

I don't particularly have any issues with them.

But if a user did, they don't have much recourse. I'm talking about that as a structural aspect. Not a moral one.

But sure if you just want to claim this puts me in the [email protected] community by ripping it out from any relevant context, go ahead I guess?

[–] [email protected] 17 points 4 months ago (19 children)

Hi there! Admin of Tucson.social here.

I think that the only way the fediverse can honestly handle this is through local/regional nodes not interest based global nodes.

Ideally this would manifest as some sort of non-profit entity that would work with municipalities to create community owned spaces that have paid moderation.

So then comes the problem of folks not agreeing with a local nodes moderation staff - but that's also WHY it should be local. It's much easier to petition and organize against someone who exists in your town than some guy across the globe who happens to own a large fediverse node.

This model just doesn't work (IMO) if nodes can't be accountable to a local community. If you don't like how Mastodon, or lemmy.world are moderated you have zero recourse. For Tucson.social - citizens of Tucson can appeal to me directly, and because they are my fellow citizens I take them FAR more seriously.

Only then will people be trusting enough to allow for the key element to protecting against AI Slop. Human Indemnification Systems. Right now, if you wanted to ask the community of lemmy.world to provide proof they are human, you'd wind up with an exodus. There's just no trust for something like that and it would be hard to acquire enough trust.

With a local node, that conversation is still difficult, but we can do things that just don't scale with global nodes. Things like validating a person by meeting them to mark them as "indemnified" on a platform, or utilizing local political parties to validate if a given person is "real" or not using voter rolls.

But yeah, this is a bit rambly, but I'll conclude that this is a problem that exists at the intersection between trust and scale and that I believe that local nodes are the only real solution that can handle both.

 

So first off, let me set this straight.

I actually like GenAI music. It offers me a way to er... "create" tracks that resonate with a particular moment in my life. It's more personal and relevant than anything most artists produce. But that's where it ends - I don't want to hear GenAI mass market slop. Heck, I don't want to hear MOST folk's AI Generated stuff. That's for them. The music I generate is for me.

Moving on from that - I primarily use Spotify currently for music discovery, and up until a few months ago it's been the most reliable way to find new Artists that might interest me. Their algorithm, while not perfect, generally hooked me up with artists that were in the ballpark of what I like and were REAL.

Today, about half of my "Release Radar" is AI generated slop. Some of it is published under their own names and labels which is fine, but others are transparently attempting to dupe listeners by imitating or outright impersonating known bands. However, even in the "nice" case of well labeled and non-impersonating AI tunes, it's significantly getting in the way of finding new stuff.

I think I'm done with Spotify, recent statements from the CEO has me thinking that they don't consider this to be a problem. They aren't looking to fix this issue, and aren't even pretending to.

But the problem is, none of the other music streaming services are in a better situation. None have sought to deal with the artist impersonation problem or general labeling of AI generated music.

I feel like I have to go back to CD's and word-of-mouth like back in the "old days" - at least if I'm to be sure that the music was actually made by a human. But how long would it be before we start getting CD's with AI generated music on them? My hope is that the fad is too "low effort" to bother with pressing vinyl or burning CD's.

How are you discovering new (human) music in this rapidly changing landscape?

[–] [email protected] 5 points 8 months ago (2 children)

I had a unique upbringing. My father was an illiterate dyslexic (and maybe autistic himself) and he is fuckin weird - to put bluntly. That side of my family never really understood neurodivergence per-se, but they understood that everyone's a little weird - but we embraced that we're VERY weird. Hanging out with my dad's extended family is a lot of flailing, weird humor, and zany shenanigans and they embraced every moment.

My mother by contrast was more "abled" but she relished the "weirdness" that my father had in spades. Her own family had a bit of a zany streak as well - with my maternal Grandfather very obviously being undiagnosed autistic and having his own brand of severely understated and jump-scare humor.

Masking was entirely unnecessary in my family - and I can recognize the state pretty easily. It's more mentally relaxed, less hypervigilant, and generally more comfortable.

It was great not having to mask in my childhood - until I went to school and it suddenly wasn't a good thing.

Learning my masks was an absolutely agonizing process because "being myself" wasn't acceptable "out there". I felt so out of place compared to my peers. I was also bullied relentlessly to the point of PTSD. My masks eventually became automatic through the tumultuous times. It wasn't until my diagnosis in my early 30's that I even began to understand what it all was, and start deconstructing the masks.

Unmasking was as easy as accessing a "younger" me and simply not caring about the social results. (to a point)

For my echolalia, I don't hold back my vocal stimming anymore. I used to feel embarrassed and self conscious around it. Now I embrace it and have fun with it. Will you get movie trailer voice me or death metal voice me? Who knows!? Will I throw a random phrase using an English accent into an otherwise monotone statement, yoooouuu bet!

For my special interests, I LET my excitement bubble over. Sure, I might need to regain my composure from time to time, but hiding my excitement about these things nearly destroyed me. I try not to be hyper-focused though so as to allow natural conversational flow, but I also don't overly police myself anymore.

There's a few other things, but it's hard to reflect on them all.

Ultimately I'm unsure how helpful my experience is to others - it's a bit unique having a deep family culture of being really weird. I think that really helps me put my guard down and unmask. If I didn't have these memories, finding my unmasked state would be a LOT harder.

 

As in title, my father is an American nomad, and he just recently got a spot with good internet signal for a few months.

He hasn't really played in years, and the last game he really enjoyed was Warface and Novalogic's Joint Operations: Combined Arms.

There is a bit of a twist though, his vision certainly isn't what it used to be, so whatever game I suggest needs accessibility options galore.

I found a really good "singleplayer only" experience in Ravenfield and the style lends itself very well to my father's limited vision.

Is there something like Ravenfield but with a well supported online component? Perhaps Battlebit: Remastered is pretty close?

EDIT: I suppose the genre is better described a "mil-sim" than "tactical shooter".

UPDATE: Someone recommended the latest Insurgency game. After realizing my father had over 1K hours in the previous Insurgency game I realized that this was the game to get. Turns out it was a good choice! That's where most of my father's online buddies ended up! Thanks all! Feel free to keep recommending things, but we already seem to have a winner!

 

As an AuDHD person with Echolalalalalalalalalia 🙃, I find that my accent/idiolect has changed as I've aged and been exposed to different accents of all types in the U.S.. I just kinda pick up certain things I like.

For example I like:

  • The British pronunciation/spelling of Aluminium and Banana
  • The Irish pronunciation of three (my grandfather who was not at all born in Ireland also used it though)
  • Upper Midwest sayings and phrases - Ope!, Oh ya sure!
  • Extended "Wwweeeelp"s
  • I bounce ALL around my register in speaking sometimes. I've sometimes been described as sing-songy.

But also dislike certain aspects of things and seek to avoid them at all costs....

  • Cot/Caught, Pen/Pin - NO MERGERS! Ever. They must be different sounds.
  • Glottal Stops in place of consonants are a no go - pronounce the whole thing dang it!

There's a whole lot more of course, but I need to finish this post so I can go be an unregulated mess after a long (and particularly annoying) day of work.

So what about y'all? I'm super curious to know!

 

tucson.social

Glad to see y'all here!

 

Hi All! I'd like to invite everyone here to the official Tucson instance at tucson.social. There's no need to delete this community, and if anything this place will serve as a fantastic way to get people on the local instance.

Come one, come all

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