this post was submitted on 12 Apr 2025
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[–] [email protected] 39 points 2 days ago (3 children)

Come and get your recycled franchise, nostalgia-bait slop! We can't be fucked to pay any creative talent to write stories about anything new or interesting, so here are some of your favorite characters' zombies that we acquired being dangled in front of you.


I'm about y'all, but I'm really looking forward to Barbie 9 and Beetlejuice Beetlejuice Beetlejuice Beetlejuice Beetlejuice Beetlejuice Beetlejuice Beetlejuice Beetlejuice Beetlejuice Beetlejuice Beetlejuice Beetlejuice Beetlejuice Beetlejuice Beetlejuice!

[–] [email protected] 16 points 2 days ago (2 children)

You just summoned, like, 5β…“ Beetlejuices. Beetles Juice?

[–] [email protected] 7 points 2 days ago (1 children)

Well in the original saying it three times again puts him back in the model. So really, looking at it, t looks like they summoned him and put him back a couple time. He would currently be summoned and 2 more away from being put back.

[–] [email protected] 5 points 1 day ago (1 children)

I wonder, if multiple people called him at the same time, would it rip up the space-beetle continuum?

[–] [email protected] 3 points 1 day ago (1 children)

Biggie Smalls, Biggie Smalls, Biggie Smalls!

[–] [email protected] 6 points 2 days ago (2 children)

I agree with your sentiment, but the studies show people will go see what's familiar, even if it doesn't end up being very good. It's a safer bet for studios

[–] [email protected] 9 points 1 day ago (1 children)

Absolutely, and that's the problem. Studios optimize for low-risk because art is just an investment vehicle for them, which is directly at-odds with what art actually should be: creative expression.

[–] [email protected] 1 points 1 day ago* (last edited 1 day ago)

Yeah, being a for profit business guarantees they won't be about creative expression that doesn't have a monetary incentive in the short term or long term.

Even the examples of a studio financing a movie because someone in power wants it to exist despite knowing it won't make bank have an underlying expectation that other projects the director will work on (or has in the past) generate more revenue than is lost on that project.

[–] [email protected] 1 points 1 day ago

And everybody knows that going for the safe bet is the sure-fire formula for a classic that will return profits to the studio for decades.

[–] [email protected] -3 points 1 day ago (1 children)

There are no new stories. Haven't been for millennia.
Stop asking for re-skinned old stories.

[–] [email protected] 2 points 1 day ago (1 children)

There is a difference between recycling an existing story by re-imagining it and throwing out generic slop with a nostalgia filter. The Terminator and Halloween are the same story if you ignore the details. Indiana Jones was an homage to the old adventure serials.

Having the same overall structure can make something the same story at the surface level, but how it is implemented is what makes it fresh and original. Nostalgia bait is not putting the effort into making something new and fun, but instead focusing on how they can cram member berries in so people can remember the better movie as a distraction from the slop they are watching.

Not all movies with nostalgia moments are nostalgia bait either. Good sequels exist too.

[–] [email protected] -2 points 1 day ago

Exactly true. But celebrating a new coat of paint, instead of cleaning the old paint, is kind of silly. That's my point.