Science Fiction

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December book club canceled. Short stories instead!

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Lemmy World Rules

founded 2 years ago
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A few years ago, in the spring, I started keeping a log of the books I read, and I ended up posting it when it hit a year's worth of books, and I did it again a year later. This year I decided to align my log with the calendar year to make it easier for me to go through, so there's some overlap with my last post.

I try not to divulge anything that isn't printed on the dust jacket or that happens after the first chapter.

We Are Legion (Bobiverse book 1), Taylor

  • A contemporary programmer dies in an accident and is revived as a digital image running on a computer 100+ years later. The story follows him and copies of him on various adventures. Heavy stuff happens, but it's a fun, lighthearted book. Not especially deep, and it suffers a bit from following so many storylines, with an end that feels abrupt. That's possibly just to set up the sequels though.

Waking Gods, Neuvel

  • Sequel to Sleeping Giants (The Themis Files series). A bunch of the same kind of giant robot shows up on earth and the team has to figure out what to do. If you liked the first, you'll probably like the second, but it's shorter on the wonder of discovery and longer on the solving of a global problem.

Only Human, Neuvel

  • Third in The Themis Files series (potentially the last). Rose, Vincent, the general, and Eva spend 9+ years on the planet where the giants were created, and get caught up in turmoil there before returning to turmoil on earth. Pretty satisfying conclusion, the whole series is enjoyable.

To Sleep in a Sea of Stars, Paoloni

  • Kira, a xenobiologist in 2257, accidentally uncovers and gets merged with an ancient alien entity. An alien race starts attacking human settlements in the galaxy and Kira ends up in the middle of everything. There's an awful lot going on in this book, enough for multiple books - it manages to be both epic and fast paced. Very engrossing, I really enjoyed it.

Some Desperate Glory, Tesh

  • A seventeen year old girl, the best of those trained since birth to be obiedient soldiers protecting the dregs of humanity fifty, years after the earth is destroyed in an alien war, leaves her assignment to save her brother from a suicide mission. Along the way she learns that things are not what she had been taught to believe. Good story, with an interesting development of the main character.

The Moon is a Harsh Mistress, Heinlein

  • A revolution is taking place on Luna (the moon), which is used as a penal colony by earth and ruled by an earth agency to ensure cheap labor and food shipments. The revolution is helped by a sentient computer that runs almost everything on Luna. Lots of political commentary. Published in 1966, there are lots of liberal ideals for its time, but it's also sprinkled with racial and gender stereotypes of the time. Great story.

Living Next Door to the God of Love, Robson

  • I write these blurbs so as to avoid spoilers, but I hadn't read the first book when I wrote the following and now that I have I realize even the most basic description of the second book will contain spoilers for the first book. Skip this one if you haven't read Natural History.

  • A loose sequel to Natural History, which I haven't read, taking place some thirty years later. Humans have encountered “Stuff," alien technology that is able to create whole worlds based on desires, and to reshape people themselves. They also encounter Unity, the alien sentience that can absorb living things that are then added to it and live on within it. In this story, several characters are trying to understand who they really are and how they're shaped by their world. That includes Jalaeka, who isn't human, but isn't quite Unity either. This is an oddly wonderful book that took me a bit by surprise somehow. I will for sure go back and read the first novel.

Made Things, Tchaikovsky

  • A novella, and the first fantasy story I've read by Thcaikovsky, who is quickly becoming one of my favorite authors. Set in a place where a few people are Magelords that have a lot of magic, many people have a little magic, and some have none. A young orphan girl with a little magic and a knack for making puppets scrapes by with petty theft and the help of a couple tiny living dolls. A fun, quick read.

The Book of Koli, Carey

  • Set hundreds of years after global ecological disasters and wars in the mid-21st century obliterated most of humanity. The remnants are clustered in small, scattered villages, scraping by with the help of the bits of technology that have survived and still function and are treated almost religiously. Koli is a teenager from one such village who makes some decisions for love and for status that prove to be very good and very bad.

Natural History, Robson

  • A few hundred years in the future, the variety of the people of earth include the Forged, whose bodies (and to some extent, minds) were developed for specific purposes, including as ships. There's somewhat of a caste system, with the Forged lower down. A Forged exploration vessel/person encounters alien technology and an uninhabited alien world in deep space, and hopes to use both the technology and the world to help the Forged create a new home. I like the second book better, but read this one first if you intend to read Living Next Door to the God of Love.

Planetfall, Newman

  • Suh is a woman who awakens from a coma with the coordinates for a planet in her head that she's certain are god calling her to go there. She convinces 1000 people to go with her, where they indeed find an alien structure they call the City of God. The story mainly takes place 20 years later, after Suh's death, and is told from the perspective of Ren, a woman who is a genius engineer, and who was in love with Suh. Ren has secrets and issues, and so do others. Very well worth reading, though the ending seems somehow slapped on.

Iron Council, Mieville

  • Third in the Perdido Street Station series. Like the others, set in a sort of Victorian steampunk world with magic and a number of alien races. This one focuses on rebel factions fighting against the imperialist, militant leadership of the city. The story is told from three different viewpoints: Judah Low, who learns to animate lifeless materials into golems, and who becomes entwined with the people of a steam train, forging across the continent; Cutter, a friend and sometimes lover of Judah, trying to find him and protect him from the government militia; and Ori, who wants to fight against the government, but feels the various factions aren't doing enough. Like the first two in the series, this is an excellently written and crafted story/world, but also like them it's far from uplifting. There were times I picked up the book to escape the anxiety induced by reading the news, only to find myself more anxious by the story.

The Uplift War, Brin

  • Third in the Uplift series, taking place about the same time as the prior book, Startide Rising. Humans have been granted lease to Garth, a world that was nearly destroyed fifty thousand years earlier, when a recently uplifted race started wiping out all life on the planet, starting with the largest, before they were stopped. The humans and their uplifted chimp clients/partners are working to restore ecological balance. With a number of galactic races pursuing the dolphin ship Streaker of the prior novel, an Avian race decides to capture and hold Garth hostage to get the humans to capitulate. Most of the humans are rounded up, and the remaining chimps on Garth have to defend their world against the much more powerful aliens, with a little help from a few humans and friendly aliens. This is a really great book, heartily recommended.

**Ammonite, Griffith **

  • A planet has been discovered that has the remnants of a ship that landed there a couple hundred years prior. The powerful earth-based corporation that controls many things and is just called The Company had previously sent a ship of military and teachers down, but a virus killed all of the men and some of the women, so the remnants are quarantined. Into this, an anthropologist goes down, being paid to test a new vaccine, but personally wanting to study the completely female culture, and find out how they've continued to have kids for 200 years. I really enjoyed this book. It's interesting that I didn't find myself thinking about gender roles at all in a book where every character is female. I didn't think of it as a lesbian novel, even though there are love stories within it. It's just a story about cultures and people, some finding their way in new situations.

The Ministry for the Future, Stanley Robinson

  • Starting about current day and moving forward, it's the story of the world on the heading towards complete ecological disaster, and efforts of a newly-created international ministry to reverse the problems. This is an unusually told story. Much of it is told third person from the perspective of Mary, the head of the ministry, and Frank, a survivor of a devastating heat wave that kills everyone in his town but him, which radicalizes him. But interleaving their chapters are various first person accounts from people who are never named and generally never reappear. For instance, one chapter is from the perspective of a woman kayaking the LA basin, helping to rescue people after an unprecedented flood. We never get her name nor hear more of her story, just that event. There's something odd about these one-off chapters being first person, which makes them seem more intimate, while the recurring characters are third person and less intimate. There's a lot of hard science here, mostly on ecological issues and geo engineering, and I kept feeling like it's an important book, but it also felt strangely unemotional, even when characters were experiencing traumatic events.

Six Wakes, Lafferty

  • A generation starship with 2500 stored human cargo is on a 400 year journey, crewed by six clones. They are slated to live consecutive lives, being put into new bodies when one dies, until their destination is reached. They do this to get new starts, because each is a criminal, convicted of past crimes over their prior couple hundred years. The story begins as the six all become conscious in newly cloned bodies, while the murdered corpses of their prior bodies float around them, and they have no memories since the ship set sail. This is a murder mystery and a psychological thriller. It's entertaining and kept me turning the pages, though some of the medical technology seems strangely primitive given some of the advanced tech.

Blood Music, Bear

  • A brilliant but reckless scientist creates intelligent cells and ends up injecting himself with them to sneak them out of the lab where he works. It doesn't go as planned. Written in 1985, I originally read it a few years later, and it's stuck with me since. It definitely gets weirder than I had expected when I first started it, but it's wonderfully imaginative - managing to be both apocalyptic and hopeful. Great book.

Autonomous, Newitz

  • Set in the mid 2100s, human equivalent robots, and actual humans, can be owned as property. A newly activated military bot working for the Intellectual Property Coalition (IPC) and its human partner are sent to stop a woman who reverse engineers popular drugs and makes them available for cheap on the black market. She has learned that a popular drug that she's been selling was illegally designed to be highly addictive, and it's killing people. Interesting story, but I didn't find it especially engrossing (full disclosure: possibly because of distractions in my personal life). Some of the characters seemed a little superficially drawn, and there's a romance between a human and a bot that I think we're supposed to find romantic but to me just seemed creepy. Still, lots of interesting ideas, and there's a lot of commentary on property and the patent system.

Embassytown, Mieville

  • On the planet Arieka, the native alien race speaks a language (only called Language) that requires two voices with one mind to speak it. They are incapable of understanding anything else - in fact, they don't recognize anything else as even being language. A city of humans lives adjacent to one of their cities, and the humans have created specially trained and augmented twins, called Ambassadors, who are capable of speaking Language, and have negotiated important trade with the native population. Now a new Ambassador is arriving from off-planet who will change everything. China Mieville has a knack for creating strange cities populated by various alien races that infuse his stories, and this one is no exception. I found it pretty interesting, but this is one of those books that I wouldn't recommend broadly. There are dense passages about the nature of communication, and most of the action is in the form of ideas more than events.

Spin, Wilson

  • Tyler is an adolescent boy with his two friends, twin brother and sister, when the stars all go out and, soon after, all the satellites fall out of the sky. The earth has been surrounded by a black membrane, and time runs differently inside of it. The three of them deal with the impacts and uncertainties of this in different ways as they grow older and humanity adjusts to the ramifications, but their lives remain intertwined. This is a great book with an unusual premise. It's full of flawed characters, but it recognizes that flaws are just part of being human. Unlike the prior book, I would recommend this one broadly - I very much enjoyed it.

Brightness Reef, Brin

  • This is the first book in the second Uplift trilogy (Uplift Storm). For a few hundred years, members of six galactic races (including humans) have made a somewhat primitive society on one small piece of Jijo, a planet designated to remain fallow for a millennia. Being on the planet is illegal, and word of it could have ramifications for each race in the broader galactic society, so there is lots of anxiety when a starship lands. But what race is on the ship, and what do they want? Excellent story. Unlike the prior books, this one does not stand alone. Apparently this trilogy is one long story with no gaps in the timeline. It would also be useful to have read the prior trilogy.

In Ascension, MacInnes

  • A marine biologist participates on an expedition to a newly discovered thermal vent in the ocean with unusual properties, and it alters the arc of her life in profound ways. Her difficult childhood and relationships with her family permeates the story. This is an odd book, slowly paced, that feels like a melancholy dream. There are wondrous things happening, but they often feel like they're happening offstage, even when the characters are in the thick of them.

Infinity’s Shore, Brin

  • Book two of the Uplift Storm trilogy. As mentioned in the notes for Brightness Reef, this trilogy is basically one long story with no time gaps between them. Enjoyed it, but the story is just two thirds done. Will read the final book next.

Heaven's Reach, Brin

  • Final book of the Uplift Storm trilogy. If you've read any of the prior books in the series, and enjoyed them, you should read to this conclusion. There's really a lot to love here. Taken as one long story, I highly recommend it. Even with richly described villains and real angst, there's a hopefulness in Brin’s stories that I appreciate. That said, there were elements of this final book that I didn't care for as much, including all of the chapters set in “E Space," which felt contrived to me. The end is also not completely satisfying as it doesn't answer several of the questions that the series creates - not by a long shot - but maybe Brin is leaving them for further books in the Uplift universe.

Walking to Aldebaran, Tchaikovsky

  • A giant alien artifact is discovered out past Pluto, and an astronaut from an expedition to it finds himself lost in its endless passageways. This novella is really interesting, and also fairly disturbing.

Dark Matter, Crouch

  • Sixteen years ago, a physicist gave up a promising career to get married and raise a son, instead becoming a physics professor. One night, walking back home to his comfortable life, he's abducted, beaten, and drugged. When he wakes up, he's a famous physicist who never married or has a son. This is a great book that delves into the road not taken, and what makes us who we are.

The Space Between Worlds, Johnson

  • A method is invented for a person to travel to alternate versions of earth, but only versions that they aren't alive in. Cara is valuable because she's died or been killed in most of them, so her job is to go to alternate earths and collect data on what's happening in them. This book really engrossed me. It has a lot to say about how we're shaped by our circumstances and by our choices. I believe it's Micaiah Johnson’s first novel, and I hope there are lots more to come.

Axis, Wilson

  • Sequel to Spin. A gigantic arch over the sea connects the earth to another earth-like planet light-years away. A few decades after the end of the prior story, a woman's quest to find what happened to her father, who disappeared in this new world when she was a teenager, takes her on a strange journey. I really enjoyed Spin, and if anything I think I enjoyed this sequel even more. There are a number of characters who think and care about things in different ways, but they all think and care.

Anathem, Stephenson

  • Set on Arbre, an earth-like world with a civilization many thousands of years older than ours, but one that has suffered through “rebirths” multiple times by world wars, genocides, and “terrible events” that were so devastating that most records from the time have been lost. To protect from repeats, scientists, mathematicians, and philosophers live secluded from society like monks. They can’t interact with regular folks and they can’t use most technology, so their work is highly theoretical. The story is told from the point of view of a 19-year-old raised in one of these monasteries, thrust into events that may lead to another societal rebirth. Most of the main characters are theoretical scientists, mathematicians, and philosophers, and they have very long discussions on those topics - it’s a long book. For some people, that will sound like torture. I personally enjoyed it quite a lot, but I enjoy reading interesting philosophical discussions. The only thing that left me a little flat is that the main romance of the story just felt thin and the characters lacked chemistry with each other. There are many other relationships that seemed a lot richer, but for some reason I just didn’t find the main romance very compelling.

Artemis, Weir

  • Brilliant but wayward young woman living on a colony on the moon takes a shady job for money and gets herself and others into deep problems. Structured kind of like a heist story set on the moon. Enjoyable page turner with likable characters. The workings of a moon colony are very well thought out, but the explanations of it never feel excessive.

Singularity Sky, Stross

  • The story takes place on the New Republic, a repressive human settlement on two planets that forbids technology and is patterned after industrial age Soviet Union. They are visited by “The Festival," a non-human collection of entities that collects information and gives anything in return, and the people go crazy with it. The New Republic prepares to go to war with The Festival. Pulled into the mix are an ambassador from earth, tasked with making sure no rules set by a godlike AI are violated, and a warship engineer hired as a private contractor, who has some covert assignment. This is Stross’s first novel, and the pacing isn't as polished as his later books. Lots of interesting commentary on rapid technological change, imperialist governments, revolution, etc. I enjoyed it.

(Continued in first comment)

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https://xkcd.com/3188

[Mods: if this post is inappropriate for this community, please accept my apologies and remove it.]

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cross-posted from: https://reddthat.com/post/56838363

I think this sets up a nice sequel with some interesting ideas about the living undead and the horrific work conditions of the poor and social stratification of the Victorian era.

takes a bong hit

Ooh, maybe we make Queen Victoria like the Alien Queen!

INT: Queen Victoria's Throneroom.

Tiny Tim faces down the QUEEN. In his good arm clutches a flamethrower blunder-bust packed with nails and shot. Hes limping from fighting his way through the palace. He's after the jewels. Destroying the hope diamond destroys the QUEEN.

The QUEEN is no done yet. It has TT's only living relation left... his oldest sister wrapped in a thick web beside her. TTs sister, the one that cared for him the most before the "Cure" has pressed on him by that Mad Rich Man and his father.

The QUEENs breath hisses

TT: Get away from her you BITCH!

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From visionary director Ridley Scott (Alien, Blade Runner), The Dog Stars will soar into theaters on August 28, 2026 via 20th Century Studios.

Based on the 2012 novel by Peter Heller, the post-apocalyptic thriller is written by Mark L. Smith (The Revenant, Twisters).

Jacob Elordi (Frankenstein), Josh Brolin (Weapons), Guy Pearce (Prometheus), Margaret Qualley (The Substance), and Benedict Wong (Weapons) star.

Set in a post-apocalyptic world, a virus wipes out humanity and survivors face roaming scavengers called Reapers. The story centers on Hig (Elordi), a civilian pilot who lost his wife to the disease.

Hig lives a lonely life on an abandoned Colorado airbase with his dog and a tough ex-marine (Brolin). The two men couldn’t be more mismatched but depend on each other to fend off Reapers.

When a random transmission beams through the radio of his 1956 Cessna, the voice ignites a hope deep inside the pilot that a better life exists outside their tightly controlled perimeter. Risking everything, Hig flies past his point of no return and follows its static-broken trail.

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Dracula Untold’s Luke Evans and Resident Evil’s Milla Jovovich are staring down the apocalypse in the first trailer for Worldbreaker, and it looks messy. Directed by Brad Anderson (the twisted mind behind Session 9 and The Machinist), Worldbreaker crashes into theaters January 30, 2026, promising not just to scorch the earth, but rewrite humanity itself.

This isn’t your typical “hero saves the world” narrative, thankfully. Worldbreaker dives headfirst into the bleakest of stakes: humanity isn’t just losing the fight, it’s being fundamentally changed. The planet fractures, something called “The Stitch” rips the earth open. This causes things called Breakers crawl out, turning humans into monstrous, bloodthirsty killers. And because the universe has a sick sense of humor, it’s mostly the men who are susceptible, leaving women to pick up the pieces and fight for a future that seems increasingly impossible. Sound familiar?

trailer - https://www.youtube.com/watch?v=HVO0BMqBp7s

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Paramount Pictures is developing BadAsstronauts, a feature adaptation of Grady Hendrix‘s 2022 science fiction novella, Deadline reports.

Hendrix will executive produce the project, with Todd Garner (Mortal Kombat, Haunt) and Adam Goldworm (The Last Witch Hunter, “Masters of Horror”) producing.

The novella is described as a blue-collar space odyssey about a washed-up astrophysicist who decides, against all logic and common sense, to build a homemade rocket and launch it into orbit to rescue his cousin who’s stranded in space.

It’s a story of underdogs rediscovering purpose, family, and pride as a wildly ill-advised backyard mission becomes a scrappy movement that eventually captures the imagination of the entire nation.

Although My Best Friend’s Exorcism is the only Hendrix adaptation to make it to the screen so far, several more are in various stages of development alongside BadAsstronauts.

The list includes The Blanks from Netflix, The Southern Book Club’s Guide To Slaying Vampires from HBO, Ankle Snatcher from Sony, How to Sell a Haunted House from Legendary, and Horrorstör from New Republic.

Hendrix is said to be the second-best-selling horror writer in the world — behind Stephen King — with more than 2.4 million books sold.

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Attempt of an allegory of our digital present. It is set in a world, in which algorithms and neuronal networks are not abstract ideas but physical entities. Hopefully, this can better explain the technology, their relationship to society and their historical context. The goal is that the underlying mechanics of the world function like a consistent framework of the digital, in which digital entities can be build; a literary sandbox like Minecraft or LEGO but for the digital.

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Fans have waited so long for the next season of Netflix’s Stranger Things that it’s begun to feel like we’re living in the Upside Down. Actually, that might not be because of the show, but I digress. Finally, we have a trailer for Season 5, Volume 1, and it looks like the series created by The Duffer Brothers intends to go out in epic fashion.

Stranger Things Season 5 picks up after the events of the fourth season, in the fall of 1987. Our heroes look to find and kill Vecna after the Rifts opened in Hawkins. But the mission becomes complicated when the military arrives in Hawkins and begins hunting Eleven (Millie Bobby Brown). As the anniversary of Will Byers’ (Noah Schnapp) disappearance approaches, the group must fight one last time against a deadly threat.

Trailer - https://www.youtube.com/watch?v=D8Qxxq0Oh9M

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I recently joined one in other coms and seems fun. I am thinking of starting one here for "the left hand of darkness"

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Excerpt:

"A fan of golden rays lights up the sunset, red and scarcely silent, disturbed only by the vision of a meteor descending from the heavens until reaching the height of the bay; its inevitable passage stirs a general sense of alarm that can be felt throughout the expanse. Birds scatter and fly to hide in the cliffs; others, crouched beneath the rocks, watch as the fiery tail grows longer, tracing an arc that collapses into the turquoise ocean.

The impact is mute, freed of doubts and reasons; within seconds, a furious mushroom cloud rises from the waters, slicing them diametrically with nothing and no one able to interrupt its path through the foamy mantle. The nearby coast silently endures the blows of its devastating power.

The plume dissolves, but leaves behind a tall and arcane figure, resembling a totem, anchored in the middle of the coast, which the sun, backlighting it, turns into a phantasmagorical shadow. It measures at least thirty meters in height; its configuration is fearsome and regal.

The titan rises toward the center of the vault; it spins on its axis, again and again. With measured timing, it descends the way it came and remains there, motionless, among the waves. Without confusion, it begins its slow march toward the beach.

With each step it takes, the waters churn and form turbulent spirals that transform into a high wall beneath its feet. When it reaches the shore, a human consciousness is revealed upon its face: indeed, it is one of the first human beings who would evolve into a virtual and mechanical entity in pursuit of legendary Promethean immortality; in other words, a being the epic chants describe as a primordial robot. It removes a box from a hidden compartment. It is a survival capsule. It lays it on the sand and opens it. A Gaian lies inside. He is the young Darian Janov.

“Wake up,” urges the metallic cyclops with a thunderous voice. “There is little time left.”

The Gaian seems dead; his face, clear and charismatic, at last wrinkles and his stomach heaves with force; he comes back to life. His aura exudes restraint and patience, but also firmness and determination.

“Ruwa…” he articulates, drowsy, breathing deeply; he possesses an auditory device that enables him to clearly hear the colossus’s voice. “The moment has come, hasn’t it?”

The giant nods and contemplates the fragility of his companion: he understands that within it lies his strength. “He possesses no physical capacity for hand-to-hand combat, but his intelligence and common sense ultimately compensate for any of his shortcomings.”

He raises his gaze, and what he sees troubles him: The sky begins to fill with hundreds of storm clouds, from whose shadows protrude laser cannons. They are gravitational warships belonging to the Twelfth Kybernes Legion of the Argernan Army, murderous glory of Emperor Killary III. It is led by the decorated General Hakan Grandou, a man fond of the hollow quill he uses to chronicle himself battling in heroic and adventurous events; he seeks, above all, through long, tedious, and unreadable narratives, to convince the Court and high officials of his incomparability as a paradigmatic strategist. So far, things have gone well for him, but he has begun to strain the emperor’s goodwill.

He has come to complete his mission and to inflict a penalty. He pursues with zeal what he considers his greatest prize—supreme embodiment of the ambitions that will consecrate him in the Argernan annals—the capture of the leader of the Galactic Resistance, Darian Janov, and of the primordial robot, Ruwa, who not long ago had escaped him after an epic battle fought in the center of the galaxy.

Haughty and vain, he descends in a small frigate detached from a mothership destroyer; he retains a certain respect for the fugitives; he positions the ship between the beach and his legion. A door lifts and from the depths emerges the vigorous cybernetic entity of the general. His luminous arm stands out, also famed for shattering with a single shot the greatest enemies of the Argernan people, while he delivers a well-worn harangue that turns vain intellectualism into something practical and effective.

“The winners will make of the losers whatever they wish. The greatest philosophers of bellum justify this procedure by invoking the right of conquest; yet I, for the love of divine justice and palatine greatness, disagree. I strive, if the enemy is even greater than myself, first to remedy matters with dialogue, chains, and the dungeon; lastly, if words grow short and emotion grows long, I relieve their unworthy suffering with the application of a painless death.”

He often embellishes his literary style with a mix of romanticism and barbarity when speaking of the affairs of war:

“In the crafts of conflagration, as in those of love, the course of events is always subject to the most trivial causes. Thus, let us not be so reckless as to dare tempt fate, and instead let fools remain convinced that what matters is the plan and the theory. Sometimes glory does not understand waits nor formalities, as the prehistoric commander Comporilliov well understood when he attacked the Relvetics who refused to fight because the moon had not yet reached fullness.”

With a tempered, slightly sardonic voice, his imposing appearance contradicts his charming personality. For a warrior like him, Darian Janov is an insignificant being. But he bears no such feelings toward Ruwa; he fears him for his warlike might. Thus, with careful words, perhaps to soften the heart of his enemy, he addresses his now prisoners:

“My adversaries, receive from the Empire and from General Hakan Grandou a warm salutation.”

He receives, almost rudely, an indifferent reply. Janov’s sharp expression makes him reconsider his words; Ruwa remains absorbed, silent, without this causing the general any anguish.

“I am pleased to state,” he continues with his exordium, “that in all my military career I have never had the honor of facing rivals so formidable. You have fought without fear, which is worthy, if we take into account your natural inferiority and my intrepid attributes. I must confess that I was not prepared to face you, and that such carelessness nearly cost me half my legions. It will not happen again. At last I have captured you.”

Ruwa lifts his head and points it toward the splinter of the region of the Great Rift. Janov remains imperturbable, without averting his gaze for even a second, capturing all his attention.

“I am a reasonable man,” he continues. “I have battled in the most violent campaigns against the Gaians and their allies, whom we conquered with almost no effort; I have subdued vast regions of the Milky Way, including those beyond its disk, last refuge of humanity; I have renounced the triumph owed to me and have punished with strength and without complaint the insolence of the insurgents. All in the name of the emperor of Galaxy, Killary III, ‘The Obstinate,’ proclaiming with the ardor of a believer and the fanaticism of a subject the truth of his good news about the union and solidification of a new empire that offers justice, peace, and planets to all its citizens, not just to a privileged few.

“But until now no one had ever presented such opposition, impressing me as you have done. Your capacity to withstand the pains of discouragement and the scorn of failure is a quality difficult to possess and to endure, even more than death itself, and reveals before my eyes the grandeur of your soldierly spirit. You could even consecrate yourselves within the ranks of my space legions. Thus, resentment is far from my thoughts; nor do I seek vengeance. In gratitude for your display of valor, I offer you a second chance to live.”

Ruwa and the young Janov remain silent. The latter receives a wireless message from Ruwa and proceeds to lift his arm, touch a button located in the right pocket of his suit, and emit a signal that disappears into space.

The general, absorbed in his triumphalism, asks himself: What will they decide now that they stand at the edge of death?

Hence he interprets the Gaian’s gesture as a kind of peaceful submission; however, with the skill born of years, mechanically, mistrusting even himself, he orders one of his officers:

“Find out the status of my troops deployed along the orbit of the planet Ciberion.”

The officer replies with a terse report: “No setbacks, my lord.”

Now confident in the gallantry of his army, the general does not wish to delay his old ritual of submission: he extends his hand and displays his splendid iron ring shaped like a phallus, which for him represents the highest creative expression of Nature, a rare and surprising intellectual sharpness on his part, if we consider that most of his body is composed of robotic components. Turning his head to one side, he makes a gesture of offering it to them, convinced that such mercy is worthy of his rank and treatment.

“Kiss it,” he says with a benevolent smile, “and you shall have my mercy.

“Otherwise, long darkness awaits you,” he concludes, consumed by a trace of histrionic pride.

His words disturb no one, which astonishes him; he arches his eyebrows as he broods due to his martial mordacity. He feels obliged to respond with punishments, but his spirit of letters and philosophy restrains him. He is intrigued with great surprise by the serenity of their souls, their iron will to destiny, and above all their warrior skill, which nearly caused him to fall in open space. “Even surrounded and trapped by the most lethal weapons and men, they do not yield in principle, nor did they cower when they faced an army a hundred times larger.”

Now that he has them before him, he tells himself that their end had come at the hands of the Sulmakian order, the feudal order of the Argernan lower nobility, from whom nothing was expected but complaints and lamentations.

Once again he convinces himself that his aphorisms have not failed him. By pure chance, while making an official and tributary visit to the region of the Sagittarius Great Rift, specifically to the planet Ciberion—capital of the Allied Confederation of Sulmaki, occupied during the third wave of the Andromedean invasion of Galaxy, the former empire of Gaia—his Sulmakian nobles had knelt before him, begging with tears and utter distress that he strike against the rebels of the Resistance. They had taken refuge in that cosmic splinter jutting from the galactic arm plane. The fallen nobles argued that this was nothing but a ruse to prepare an assault on the imperial capital located in the milky bulge.

Which translated to the claim that the rebels had not hesitated to recapture confederate planets with the aid of natives, appropriating all their cities and leaving the Argernan aristocracy exposed to the harsh rigor of aboriginal tyranny—an ill omen for an empire that prided itself on being relentless and unbeatable. Their Gaian leader, Darian Janov, they said, was a barbaric, irate, and reckless man, and his despotism could no longer be endured. They also said he was a kind of sorcerer before whom all bold ones fell who dared face him. If Emperor Killary III did not find a prompt solution, the Argernans stationed there would be forced to abandon the confederation in favor of more distant regions.

The general, with good political sense and aware of the debacle, consoled them with forceful reasons, swearing that he would take charge of the problems that so fiercely afflicted them. Eyes on the horizon, he confided that he harbored firm hope of restoring to each one their benefits, authority, and full plenitude of royal rights. This would put an end to so much violence and bring the long-awaited peace.

“A stroke of luck,” he told himself once far from those effeminate envoys. “I have the leaders of the Resistance within arm’s reach. As great general of the veteran legions, this grants me the popular momentum necessary to go as far as the throne of Galaxy itself.”

Seeing the opportunity for gain, he struck against the rebels, laying a trap involving double agents of the confederation army. It was not difficult to lure them. Even Janov himself had shown up to make war, which the general resolved in minutes after an epic battle. Unexpectedly, the Gaian leader changed his mind and found no other escape from defeat than retreat; he abandoned his people, who soon fled amid the chaos... "

*–-Please read more in its original Castilian language at https://fictograma.com/ , an open source Spanish community of writers–- *

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Excerpt:

“Incidit in Scyllam, cupiens vitare Charybdim [He falls into Scylla while trying to avoid Charybdis].”
Homer, The Odyssey


On January 15, 2007, after conducting some research in the subsoil of the Valley of the Emperors in Mexico, and following an uncomfortable three-hour flight in an old Tucano twin-engine plane, I was landing on the island of Roatán in the Central American Caribbean when I received a voicemail alert on my cell phone:

“My dear Bruno Colono, it is urgent that you contact me. Your presence in Moscow is mandatory. Call me as soon as possible to coordinate your arrival with the staff of the Marine Research Society. Your friend, Dimitri Pavlovich.”

Indeed, it was the powerful, impossibly lyrical Slavic voice of my friend Dimitri. I immediately remembered the wild nights in Russian land, soaked in vodka and mazurkas in the grachevka taverns, where we used to recite Pushkin’s poems and laugh uproariously at the charm of Afanasyev’s tales. And how could I forget the sweetest Olesya, that perfect girlfriend, a real Barbie doll, whom I had left behind with the deepest regret at old Abramovich’s house! Those were my best days. In those fabulous times, Dimitri and I had explored the Atlantic rifts, funded by the Russian government, mapping the abyssal floors, measuring their depths to make way for fiber-optic cables that would connect that country to the rest of the world. And most astonishing of all, we had done these dives with the help of an ancient bathyscaphe, the Thresler—a relic from the days of the great Piccard.

As soon as I stepped off the plane at Moscow airport, the Society’s staff welcomed me. One of them was Mr. Svyatoslav Chernov, a member of the Central Committee and an excellent marine geologist, and Mr. Yuri Kamkov, a submariner specialized in marine archaeology.

“Welcome,” Chernov greeted me in his schoolboy Spanish, kissing me on the cheek.

“Iá jarachó ravariú pa rússki,” I replied with a little smile.Kamkov, surprised, burst out laughing and hugged me, giving me another kiss. I asked about Dimitri, and they laughed again: “Oh, Pavlovich, on miédlenna guliáit!”—referring to the astonishing calm with which my friend usually faces everything.

We arrived at the Society’s building, a true masterpiece of Baroque architecture, and soon my eyes met Dimitri’s. He was waiting for me, leaning with arms crossed beside an archaic metal diving suit—none other than Fréminet’s famous “hydrostatergatic machine”!—smoking a cigarette.

“You’re standing before a monument!” I pointed out.

“In Russia everything is monumental!” Dimitri returned the greeting warmly. “Kak dela?” he asked, raising his eyebrows and extending his hand.

“Normalna,” I answered, and we embraced.We moved to a meeting room. Amid rolls of nautical charts, compasses, and measuring instruments, Chernov spoke..."

--Read more in its original Castilian language at fictograma.com , an open source Spanish community of writers--

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The very first novel penned by Stephen King (1966) makes its way to theaters this September, as visionary director Francis Lawrence (THE HUNGER GAMES) translated the long overdue adaptation with a screenplay by J.T. Mollner. The nihilistic and harrowing film takes viewers on a hopeless grueling journey that encompasses obstacles that will leave you in tears. The brilliant script, Orwellian cinematography, eerie score and superb performances make this an incredible yet horrifying experience.

THE LONG WALK stars Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Jordan Gonzalez, Joshua Odjick, Josh Hamilton, with Judy Greer, and Mark Hamill.

The disturbingly chilling graphic and highly emotional dystopian horror thriller features a literal “do or die” contest where teenage boys participate in a grueling high-stakes competition where they must continuously walk or be shot by a member of their military escort. The nightmarish story centers on an oppressive and totalitarian regime in a post-war United States where money is scarce and the military holds absolute power. The merciless original story that challenges viewers with one haunting question: how far would you go? – was written in the early 60’s under King’s infamous pen name Richard Bachman, and wasn’t published until 1979.

https://www.youtube.com/watch?v=Toj3Zxun7aQ

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Good Luck, Have Fun, Don't Die — and watch the new trailer for Gore Verbinski's first film in over a decade. Sam Rockwell stars as a mysterious man with a vital mission for a ragtag collection of late-night diner patrons. The science fiction comedy will debut in theaters on February 13, 2026. The trailer opens at an all-night eatery in Los Angeles. Even the most jaded diners have to turn their heads and look when a mysterious man (Rockwell), seemingly clad in a fashionable ensemble of garbage, walks in.

He's from a future that is "totally, completely f***ed" thanks to an evil artificial intelligence, and there's only one way to avert this nightmare apocalypse: recruiting strangers to help him stop it before it can go online

Trailer - https://www.youtube.com/watch?v=CaSxNAZUKsM

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The story takes place in Salem, MA, during the Witch Trials. The scene is a 100% fictional inquisition by the non-fictional Reverend Parris of Salem Village.

As you may gather, I like to have some fun with the dialogue here and there. Link is below.

https://drive.google.com/file/d/1wPs0s5cTi-fqXq7Ql6jEGecHyvplj1yd/view?usp=sharing

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Saw a post here that mentioned Michael Moorcock as an anarchist 😎

My man moorcock is unapologetic.

I recommend The Land Leviathan (Black Attila conquers racist America) and The Champion of Garathorm (Hero becomes a woman to fulfill destiny and save the day) not because they are good but because they broach taboo topics decades ahead of the curve.

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What if in 1989, Tim Berners Lee invented the semantic web instead of the world wide web?

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This artwork illustrated by Phillipe Druillet was originally appearing on the cover of Métal Hurlant N° 2, a French comic anthology of science fiction and horror comic stories published by Les Humanoïdes Associés founded in December 1974 by comic artists Mœbius, Jean-Pierre Dionnet, Philippe Druillet and financially backed by Bernard Farkas.

Métal Hurlant predated and inspired the American publication Heavy Metal (1977). Early issues of Heavy Metal directly translated and reprinted stories from Métal Hurlant, featuring the same artists (Moebius, Druillet, Caza, Bilal, etc.).

Phillip Druillet has a fascinating body of work you can explore further on his personal site philippedruillet.com.

View the first issue of Métal Hurlant uploaded to the Internet Archive.

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submitted 2 months ago* (last edited 2 months ago) by ProdigalFrog@slrpnk.net to c/sciencefiction@lemmy.world
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Kim Stanley Robinson is probably my favorite living author; I don't think anyone does setting and worldbuilding better than he does, yet his stories are largely character-driven.

Here's my favorites of his that I've read:

  • Aurora, where a generation ship is on it's way to Tau Ceti
  • The Years of Rice and Salt, an alt-history where most of Europe perishes in a great plague in the 14th century
  • Shaman, a fictional narrative about the people who painted Chauvet Cave

I love how his stories are about being optimistic in times where that's a hard thing to be. I like the focus on environmentalism and the sublime (Ministry for the Future is basically a solarpunk novel). He mostly writes hard sci-fi, which is my favorite genre, but also spins off into history and philosophy like in Galileo's Dream.

I think most people know his writing from his Red/Green/Blue Mars series, which I love, but he's done so much more than that.

So what's your favorite of his books?

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