dandelion

joined 3 weeks ago
[–] dandelion@piefed.blahaj.zone 1 points 1 week ago (1 children)

I get that, but I tend to think the burden of proof in a criminal case is much higher than the burden of proof to believe a victim outside of a courtroom.

In this case I don't think there is any reason to doubt the victims, and the pressure and evidence points to victims tending to not come forward, the fact that there are multiple accusations from multiple victims indicates to me a much higher probability that Gaiman is guilty of some sexual crimes than not. Luckily my opinion or assessment of Gaiman's behavior doesn't have consequences like jail time, so my beliefs do not demand the same scrutiny as a judge's or a jury's.

Not that it's wrong to think about the evidence, but culturally I think we tend to discount survivors and victims more than we validate them, and that can make questions about evidence really difficult, even harmful. Still, we obviously can't ignore the problem of evidence, but luckily that's primarily a concern for the courts (not that being cancelled doesn't have consequences, and "cancel culture" can be reactive, essentializing, and unfair - that's probably something we should collectively think about more).

aw, thank you! I'm a big fan of dandelions and other flowers.

[–] dandelion@piefed.blahaj.zone 3 points 1 week ago (1 children)

Alan Moore agrees:

https://www.indiewire.com/features/general/watchmen-creator-alan-moore-hates-superhero-movies-1234591751/

“I haven’t seen a superhero movie since the first Tim Burton ‘Batman’ film. They have blighted cinema, and also blighted culture to a degree,” Moore said. “Several years ago I said I thought it was a really worrying sign, that hundreds of thousands of adults were queuing up to see characters that were created 50 years ago to entertain 12-year-old boys. That seemed to speak to some kind of longing to escape from the complexities of the modern world, and go back to a nostalgic, remembered childhood. That seemed dangerous, it was infantilizing the population.”

yeah, that would put me in full cope mode too, lol

[–] dandelion@piefed.blahaj.zone 6 points 2 weeks ago (2 children)

same, lol - I was like daaaaaamn

[–] dandelion@piefed.blahaj.zone 8 points 2 weeks ago

I think the moral arguments aside, there is just the practical matter that having read what he did, I cannot stomach to consume content made by him. The association is naturally aversive, I don't need a rational argument about how it's immoral to support a rapist - I just don't like it.

[–] dandelion@piefed.blahaj.zone 15 points 2 weeks ago (4 children)

I think a lot of us trans girls are in the same situation. I learned to read on HP books, and Hermoine was a deeply important character to me growing up 😅 It's hard for me, but I have gradually moved away from the series as it increasingly becomes associated with Britain's Top Transphobe.

[–] dandelion@piefed.blahaj.zone 2 points 2 weeks ago

ick, I wouldn't be surprised if that fails commercially ... I mean, I watched the first season before all this stuff came out and I'm certainly not returning for a second season - I doubt I'm alone.

[–] dandelion@piefed.blahaj.zone 6 points 2 weeks ago (2 children)

oo, I didn't know about this, thank you - GERM is much better than TERF, lol

[–] dandelion@piefed.blahaj.zone 21 points 2 weeks ago

This is a good moral compromise in that it allows you to enjoy the art without the moral complications of commercially supporting a rapist, but I think some people might argue that it doesn't go far enough and that we should essentially culturally boycott the art as well, that an artist's reputation rests partially on how their art is perceived, and by continuing to enjoy that art and share it with others, you continue to support the artist in some sense.

Not sure I know how I feel about that argument, but I think it's an intuition some folks have or an argument they make.

 
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