coys25

joined 2 years ago
 

The show is inane, but the music slaps.

First of all, Carmen Carter absolutely kills the vocals on SuperKitties Theme and SuperKitty Call, both hard driving 70s-ish action theme vibes. Take the xylophone solos on SuperKitty Call and inject them into my veins. My Bath, My Bubbles and Me is a goddam bop. Always In My Heart is a tearjerker that would fit in just fine on your favorite boy band album. And even the rough ones (like Cheese) are only 60 seconds long, so they're over before they can get too annoying.

Am I right, or am I just going insane because this is LITERALLY THE ONLY MUSIC I'VE BEEN ALLOWED TO LISTEN TO FOR THE LAST MONTH?

 

That 2023 line does not look ideal...

Source: The Economist

Each point represents a five day moving average. The x-axis is in terms of historical standard deviations, i.e each day is compared to the standard deviation of historical values for that year. So we are at -6 SD from the historical average for this point in time.

Other excellent visualizations are in the article!

 

From Propublica: the Repatriation Project

In 1990, Congress passed a law recognizing the unequal treatment of Native American remains and set up a process for tribes to request their return from museums and other institutions that had them. The law, known as the Native American Graves Protection and Repatriation Act or NAGPRA, sought to address this human rights issue by giving Indigenous peoples a way to reclaim their dead.

But 33 years after the law’s passage, about half of the remains of more than 210,000 Native Americans have yet to be returned. Tribes have struggled to reclaim them in part because of a lack of federal funding for repatriation and because institutions face little to no consequences for violating the law or dragging their feet.

This database allows you to search for information on the roughly 600 federally funded institutions that reported having such remains to the Department of the Interior. While the data is self-reported, it is a starting point for understanding the damage done by generations of Americans who stole, collected and displayed the remains and possessions of the continent’s Indigenous peoples — and the work done by tribes and institutions to repatriate those Native ancestors since.