StillPaisleyCat

joined 2 years ago
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cross-posted from: https://startrek.website/post/39235955

Who knew that franchise-branded electric guitar peripherals were becoming a thing?

A Godzilla pedalboard would have been fantastic for garage bands back when GenXers were young…

 

cross-posted from: https://startrek.website/post/39235955

Who knew that franchise-branded electric guitar peripherals were becoming a thing?

A Godzilla pedalboard would have been fantastic for garage bands back when GenXers were young…

 

Who knew that franchise-branded electric guitar peripherals were becoming a thing?

A Godzilla pedalboard would have been fantastic for garage bands back when GenXers were young…

I really prefer the work by the team that’s now in charge of the television side. But they received a lot of negativity for K:SI so it seems the television medium is a better fit.

[–] StillPaisleyCat@startrek.website 2 points 6 hours ago (2 children)

It will be interesting to see whether the film part of the franchise can ground things more again.

The cinematic release scheduled for 2027 Godzilla v Kong: Supernova, reported to feature Spacegodzilla, sound like it will continue to go in a different direction than the new television franchise with Apple that aligns more closely to the first two movies.

[–] StillPaisleyCat@startrek.website 2 points 9 hours ago (4 children)

You have a point generally but underestimate how loathed the 1998 film is.

The 1998 movie sufficiently disrespected the values around Gojira that Toho has been incredibly cautious about licensing since. There are many contractual limits on how the Toho Kaiju can be used, especially Godzilla.

American interpretations have leaned too much to the younger male audiences who are just interested in big monsters fighting and threatening humans. Not so much interested in morality stories about humanity’s relationship with the natural world.

Legendary Entertainment has tried to bring a more character driven human centric version to US and international audiences. However, the films after Kong: Skull Island had a different creative team and became more focused on spectacular fights than storytelling or messaging.

M:LOM is helmed by the original creatives. They seem to be successful overall in balancing more character driven storytelling but whichever way they lean, there will be some dissatisfaction.

[–] StillPaisleyCat@startrek.website 3 points 1 day ago* (last edited 1 day ago) (6 children)

I’d say that it’s fairly clear that the writers had an endpoint for the season, a few key narrative, Kaiju and character milestones that they mapped out, as well as some narrative pipe that they wanted to lay down towards the third season.

The season mostly succeeds from that perspective but there’s validity in some of the criticisms.

One thing to keep in mind is that the show is serving different international audiences, including a core of American fans who only want to see big Kaiju fight.

My sense is that they got the balance a bit different for the second season such that those who liked the first season may not be as happy with the second and vice versa.

In particular, this season seems to be the natural conclusion to many unresolved issues from the movie Kong: Skull Island — one of the most divisive movies in the Monsterverse. So, if that movie is one that someone liked or found intriguing, they are likely to find this season particularly satisfying.

 

Toho-licensed Rodan has appeared again in the Monsterverse. Or, has he/she?

Hopefully, Monarch: Legacy of Monsters season three will be confirmed soon so we can look forward to a couple of years of intense speculation among Kaiju fans.

You really know it’s from the 1970s.

And people (quite falsely) believe an urban myth the inking choices in Star Trek: the Animated Series were due to a colourblind artist.

No folks, those of us who were alive then will tell you this was definitionally cool at the time.

 

To decompress from the latest Monarch: Legacy of Monsters season finale and real world conflicts, here’s an older Grickle cartoon to enjoy.

It’s available for purchase at https://gricklemart.com/countryside-chill/

 

Somehow I did not know this existed.

There a restored 1080p version available on Internet Archive: https://archive.org/details/luigi-cozzis-godzilla

As with other wild populations, the animals’ health, ecological sustainability and whether they are reservoirs of infectious disease would be the paramount concern.

Not sure that the current provincial government has the credibility in evidence-based decision making to be able to sustain any interventions.

[–] StillPaisleyCat@startrek.website 9 points 5 days ago (1 children)

As Chief of Defence Staff (CDS), Carignan is a General not a Lieutenant General.

It’s really unfortunate when a basic error doesn’t get caught in the vetting of an article as it undermines the rest of the story.

https://www.canada.ca/en/department-national-defence/corporate/organizational-structure/chief-defence-staff/cds-bio.html

The actor who plays Keiko has shared that they shot a scene — at the point where Keiko sees the younger Lee in the rift — in which Keiko made a conscious decision to stay and help Cate instead of going back into the rift with Lee.

The scene was deleted in the final cut for streaming television.

Setting aside the problem that there would have been two different Keiko’s present in Axis Mundi at the same time if she had returned, this strongly suggests that the creators are playing with the idea that multiple instances of a person can exist.

Let’s see what they do with this (assuming a season three announcement is imminent).

Love “Team Basement” aka “Monarch 2.0” dark ops.

 

IGN provided this helpful piece that places Monarch: Legacy of Monsters within the broader Monsterverse continuity.

As a timeline refresher: The Monsterverse Godzilla movie that centered on the catastrophic G-Day event happened in 2014. Season 1 of Monarch: Legacy of Monsters followed one year later in 2015 and ended with a two-year time jump to 2017. That was a result of the semi-successful rescue mission executed by older Shaw, Cate Randa (Anna Sawai), and May Olowe-Hewitt (Kiersey Clemons) into Axis Mundi, the pocket realm between Earth and Hollow Earth, to rescue a stuck-in-time Keiko. Season 2 then unfolded over a breakneck eight weeks in 2017, leaving about 18 months of open storytelling time until the Titan awakenings featured in Godzilla: King of the Monsters.

There’s still a lot of social media debate out there however regarding the appearance of Rodan first in the continuity at the end M:LOM season two. Is it the same Rodan who appears later in Mexico in Godzilla: King of Monsters? Or, are there two distinct Rodan’s?

Since Rodan is a classic Toho Kaiju licensed to Legendary Entertainment, it’s a major commitment towards a third season narrative either way.

 

Kong and Titan X face off in a colossal clash that threatens to reshape Skull Island. Shaw embarks on a dangerous journey.

Written by: Andrew Colville

Directed by: Lawrence Trilling

New photo from closing scene — strongly suggests a third season to come.

Welcome to the season finale discussion! There is no spoiler protection in episode discussion threads, and spoiler tags are not necessary!

 

Paramount subscribers suing over the WBDiscovery merger?

Are there Star Trek fans left subscribing who are doing this?

I can’t see the Yellowstone Sheridanverse base being concerned…

Any speculation on where this season will land?

All the lead characters seem still to be going in their own directions, whatever the current alignments.

As with the season one finale, I’m going in wondering how the creators can pull it all together but more hopeful, given the satisfying season one conclusion, that it can work.

How are others feeling?

 

Season finale. Kong and Titan X face off in a colossal clash that threatens to reshape Skull Island. Shaw embarks on a dangerous journey.

Once again, an official teaser clip has been shared with media — available in this article.

 

cross-posted from: https://startrek.website/post/38662450

An interesting choice of story to cover in ‘interesting times.’

 

An interesting choice of story to cover in ‘interesting times.’

After a bit of time to ponder this week’s episode release, it’s really hit me that we only have one more episode in this season and so many story threads unresolved.

I felt much the same way at this point in the first season, and the show managed to achieve a very satisfying finale.

That said, I feel that there’s so much going on with Kentaro and Shaw having gone off and freelanced with their own plans, and likely to repeat the pattern again, while Cate finally seems to have pulled herself together with the support of her grandmother Keiko.

There’s definitely a feeling that the writers are ‘laying down pipe’ for another season. Hopefully, AppleTV will greenlight one given the shows overall global success.

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