this post was submitted on 01 Feb 2026
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Tolkien, Lord of the Rings (LotR), etc.
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I mean, that's literally the point of the books...
For all the talk of Sauran's eye, he had to have ring wraiths track them and rely on such primitive methods as harassing crotchety old hobbits at their turnip farms.
Throw Frodo on the back of an Eagle, fly over the volcano and toss it in before anyone knew what was happening or it started to corrupt Frodo.
Like, the big excuse was always Frodo needed the journey to toughen up, but the reality is the journey took like fucking years and in the time it would have taken to fly there he'd never have used it to or had it long enough to be corrupted. Because by the end of it Sam basically had to do it.
But if an eagle can carry armored Dwarves or a full grown Gandalf, Sam could have rode bitch on the same eagle.
The real reason the story is so long, is Tolkein was a linguist who made up a language to stay sane in WW1, then after the fact wrote some books to justify the effort.
Which meshes with the excuse. The books aren't so long because the story needed them to be. They're so long and vivid because Tolkein needed them to be. He dealt with the absolute horrors of WW1 by sinking into this fantasy world. Coping methods don't go away when the situation does, so after the war getting lost in Middle Earth was preferable to PTSD before we knew how to treat it.
He'd spend 10 pages describing a door, because that hyper focus on his fantasy world kept out the images of WW1 that were literally and figuratively haunting his entire generation.
I don't think escaping the trauma was his intention, not when his books deal so intimately with the corrosive effects of power. I think he was processing the trauma by telling a story that describes the feeling of those traumatic events, and tries to make sense of how regular people can talk themselves into such senseless violence. I think it's fair to describe that as coping, but I don't think his cope was just ignoring it by describing a nice door for 10 pages. I also don't think it's really fair to say he just wanted "a" story to go with his fancy languages. He had a real point about what evil is, and he wanted to tell it in a story.