this post was submitted on 12 Apr 2025
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Something that stood out to me:
I haven't (recently) paid attention to the viewership numbers, but that music success doesn't seem to create stream viewership is something I hadn't really expected. I guess that means a lot of the (music) success is coming from "outsiders" who either don't know about the streaming side or simply aren't interested in it. Interesting either way!
Also this one:
This is something I noticed with Suisei too, she had a gigantic popularity boost with Bibbideba but her viewership numbers (even from karaoke) haven’t really benefited that much. Seems like they both managed to capture a good chunk of audience that isn’t really interested in streaming, but still likes their songs enough to follow them, which as you said, is good in its own way.