this post was submitted on 12 Apr 2025
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This is something I noticed with Suisei too, she had a gigantic popularity boost with Bibbideba but her viewership numbers (even from karaoke) haven’t really benefited that much. Seems like they both managed to capture a good chunk of audience that isn’t really interested in streaming, but still likes their songs enough to follow them, which as you said, is good in its own way.