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I mean, I feel you're short shifting Marie Antoinette a little bit here. It wasn't just the soundtrack that was anachronistic, everything about the presentation is meant to encourage audiences to view the subject through a modern lens, from the lead performances all the way down to the production design. Recall that this is the movie that has a pair of hi-top Converse All-Stars included in Antoinette's closet. If you don't feel like it was as successful as The Favourite, that's totally valid, but it wasn't due to limiting the scope of its central idea to the soundtrack.
Valid points. I only watched it once when it was in theaters so I forgot a lot of those details. I appreciate the added nuance. I still enjoyed The Favourite more, but I’ll have to throw on Marie Antoinette sometime.
No problem. Of the two, I think I also prefer The Favourite, but I truly believe there was an element of misogyny which plagued the consensus response to Coppola's movie upon release. I'm not sure I completely agree with Ebert's 4 star assessment, but I do find an element of truth in what he wrote here: "Every criticism I have read of this film would alter its fragile magic and reduce its romantic and tragic poignancy to the level of an instructional film."
Well put. I only have vague recollections of my experience so I don’t want to amplify them here, but either way I’m completely open to giving it a fair shake much older and wiser than I was the first time.