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Uhhhh… I was ready to stand up and clap, but the more you read the lamer it gets! A) It’s an art exhibit that doesn’t sound even remotely permanent. B) Only members of government and law enforcement are permitted access to the files — so, the folks who already did fuck all. C) All of this information was already released publicly and is widely available, albeit not in hard copy… unless, you know, you want to; buy a laser printer, visit a Kinko’s… which feels like the most appropriate place to get something like this printed.
If they were honestly interested in disseminating this information to the public without exposing the identities of people that are unredacted they could’ve done something useful like redact the documents themselves.
Hard disagree. The fact it's an art exhibit is the point, not a defect. The article summarizes it better than I could:
If you went into this expecting it to be about accessibility, that's not the library's fault. The fact that it's giving these a physical form is the point, because it's 1) giving a visceral representation of how immense the scale of these crimes were and 2) showing that this is 100% out in the open despite essentially fuck-all being done about it. It is a monument to injustice.
It's a statement. Art exhibits make statements. And honestly, reading about this one shook me a little, reminding me after half a decade how profoundly abnormal all of this really is. It's a way for the audience to ground themselves, and it achieves that magnificently – I'm sure even better in person.
To be clear, everyone can see the exhibit, it's showing the huge amount of the files and how crazy it is. I'm not sure you looked into it.