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Shows / movies that I dropped halfway:

  • Dungeons & Dragons Honor Among Thieves
    • somehow it didn't grab me, dropped it halfway thru. Many people said it's good, but the jokes are okay, nothing interesting
  • Onihei S01
    • Somehow it just doesn't manage to grab me, dropped it after second episode, especially when I read that there's not really an ending by the end of the show.

I've finished watching

  • Record of Ragnarok S01
    • really loving the over-the-top fights between gods and humans. I'm excited for the next season
  • Fringe S05
    • Man, Fringe is now probably my most favorite show. S05 might not hit as hard as S03 or S04, but it ties up everything nicely. The show wouldn't leave such a lasting impression on me if not for the character Walter Bishop, and of course John Noble did a great job portraying him
  • Killing It S02
    • It's not as good as the first season. They focused too much on side characters that are not funny at all.
  • The X-Files S02
    • X-Files gets really good on season two. The stories involving Mulder's family is really intriguing. I'm excited to watch the next season now.
  • Look Around You S01
    • I've watched bits and pieces of this on YouTube. OMG, the whole season is just amazing. Every single detail is fucking hilarious.

Started / still watching

  • The Simpsons S04
    • This season definitely feels better than previous ones. There's absurd humor that hits hard, e.g. rent a big brother, etc.
  • Giant Robo: The Day the Earth Stood Still S01
    • Dunno how I feel about it yet. It feels too old-ish, and each episode lasts for an hour. If it doesn't pick up, I might drop it.
  • Snuff Box S01
    • So far, this is another good Matt Berry show. The humor is closer to Garth Marenghi's Dark Place, and probably better than first season of Toast of London
  • The Outer Limits (1995) S01
    • I've only watched the first episode, I guess it sets the tone of sci-fi twilight zone, but with bummer ending. Also the first episode is like 90 mins, bit too long
  • Person of Interest S01
    • I've just watched 2 episodes, and I know that this is going to be good. I am having a crime drama fatigue, but POI is different.

So, what have you been watching last week?

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The actor, who was once the face of The Six Million Dollar Man, still has charm and presence that made him a household name in the ’70s.

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Larry David: My Dinner With Adolf

Imagine my surprise when in the spring of 1939 a letter arrived at my house inviting me to dinner at the Old Chancellery with the world’s most reviled man, Adolf Hitler. I had been a vocal critic of his on the radio from the beginning, pretty much predicting everything he was going to do on the road to dictatorship. No one I knew encouraged me to go. “He’s Hitler. He’s a monster.” But eventually I concluded that hate gets us nowhere. I knew I couldn’t change his views, but we need to talk to the other side — even if it has invaded and annexed other countries and committed unspeakable crimes against humanity.

Two weeks later, I found myself on the front steps of the Old Chancellery and was led into an opulent living room, where a few of the Führer’s most vocal supporters had gathered: Himmler, Göring, Leni Riefenstahl and the Duke of Windsor, formerly King Edward VIII. We talked about some of the beautiful art on the walls that had been taken from the homes of Jews. But our conversation ended abruptly when we heard loud footsteps coming down the hallway. Everyone stiffened as Hitler entered the room.

He was wearing a tan suit with a swastika armband and gave me an enthusiastic greeting that caught me off guard. Frankly, it was a warmer greeting than I normally get from my parents, and it was accompanied by a slap on my back. I found the whole thing quite disarming. I joked that I was surprised to see him in a tan suit because if he wore that out, it would be perceived as un-Führer-like. That amused him to no end, and I realized I’d never seen him laugh before. Suddenly he seemed so human. Here I was, prepared to meet Hitler, the one I’d seen and heard — the public Hitler. But this private Hitler was a completely different animal. And oddly enough, this one seemed more authentic, like this was the real Hitler. The whole thing had my head spinning.

He said he was starving and led us into the dining room, where he gestured for me to sit next to him. Göring immediately grabbed a slice of pumpernickel, whereupon Hitler turned to me, gave me an eye roll, then whispered, “Watch. He’ll be done with his entire meal before you’ve taken two bites.” That one really got me. Göring, with his mouth full, asked what was so funny, and Hitler said, “I was just telling him about the time my dog had diarrhea in the Reichstag.” Göring remembered. How could he forget? He loved that story, especially the part where Hitler shot the dog before it got back into the car. Then a beaming Hitler said, “Hey, if I can kill Jews, Gypsies and homosexuals, I can certainly kill a dog!” That perhaps got the biggest laugh of the night — and believe me, there were plenty.

But it wasn’t just a one-way street, with the Führer dominating the conversation. He was quite inquisitive and asked me a lot of questions about myself. I told him I had just gone through a brutal breakup with my girlfriend because every time I went someplace without her, she was always insistent that I tell her everything I talked about. I can’t stand having to remember every detail of every conversation. Hitler said he could relate — he hated that, too. “What am I, a secretary?” He advised me it was best not to have any more contact with her or else I’d be right back where I started and eventually I’d have to go through the whole thing all over again. I said it must be easy for a dictator to go through a breakup. He said, “You’d be surprised. There are still feelings.” Hmm … there are still feelings. That really resonated with me. We’re not that different, after all. I thought that if only the world could see this side of him, people might have a completely different opinion.

Two hours later, the dinner was over, and the Führer escorted me to the door. “I am so glad to have met you. I hope I’m no longer the monster you thought I was.” “I must say, mein Führer, I’m so thankful I came. Although we disagree on many issues, it doesn’t mean that we have to hate each other.” And with that, I gave him a Nazi salute and walked out into the night.
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“It’s really hard out there for an original movie,” he said, urging everyone who liked the Universal Pictures release to “scream it from the rooftops” and on social media.

“Drop” opened this weekend to an estimated $7.5 million domestically, one of two new movies based on fresh ideas that fizzled at the box office. The other was Disney’s “The Amateur,” a spy thriller adapted from a little-known 1981 book, which opened to an estimated $15 million.

After years of gripes from average moviegoers and Hollywood insiders alike about the seemingly nonstop barrage of sequels, spin offs and adaptations of comic books and toys, the film industry placed more bets on original ideas.

The results have been ugly.

Nearly every movie released by a major studio in the past year based on an original script or a little-known book has been a box-office disappointment. Before this weekend’s flops were Warner Bros. Discovery’s “Mickey 17” and “The Alto Knights,” Paramount’s “Novocaine,” Apple’s “Fly Me to the Moon,” Amazon’s “Red One,” and the independently financed “Horizon: An American Saga Chapter 1” and “Megalopolis.”

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Quelle surprise ...

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Warner Bros. Discovery president and CEO David Zaslav's pay package rose just over 4% to $51.9 million in 2024, according to the company's 2025 proxy statement filed Friday.

Zaslav had a 2023 pay package worth $49.7 million, up 26.5% from the year prior. Zaslav's compensation totaled $39.3 million in 2022, after he received an astonishing $246.6 million (which included $203 million in stock-option grants) in 2021.

For 2024, Zaslav's base salary was $3 million. He received stock awards worth $23.1 million, bonus compensation of $23.9 million and "all other" compensation of $1.9 million.

Cash bonuses and stock awards for Zaslav and WBD's other named executive officers are tied to free cash flow targets.

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“A Minecraft Movie” leveled up at the box office, collecting a blockbuster $157 million in its opening weekend. It’s not only the biggest domestic debut of the year but the best in history for a video game adaptation.

Heading into the weekend, Warner Bros. and Legendary’s PG fantasy comedy, starring Jack Black and Jason Momoa, was projected to take in $70 million to $80 million, with some bullish analysts suggesting a final number closer to $90 million.

Thanks to pent-up demand for a family film, broad appeal and goodwill toward the 2011 video game, however, “Minecraft” squashed expectations in the U.S. and abroad. At the international box office, the tentpole added $144 million for a global start of $301 million. The film cost $150 million to produce before global marketing expenses.

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On March 21, the same day Columbia University conceded to President Trump’s policy demands as a condition for restoring $400 million in federal funding, a timely screening of a new documentary dissected the 2024 student protests for Gaza at Columbia that sparked an international phenomenon. The Encampments (2025), produced by BreakThrough News and Watermelon Pictures, extricates the movement from the grips of mainstream media narratives and places it back in the hands of its organizers, including Palestinian graduate student and lead co-negotiator Mahmoud Khalil, who is currently detained and facing possible deportation.

Directed by BreakThrough News journalist Kei Pritsker and filmmaker Michael T. Workman, with rapper Macklemore and BreakThrough Editor-in-Chief Ben Becker among the film’s executive producers, the 76-minute documentary follows the Gaza Solidarity Encampments at Columbia University over the two-week period. The film specifically highlights the voices of Khalil, co-negotiator and graduate student Sueda Polat, since-expelled PhD candidate and student worker union leader Grant Miner, and university alum Naye Idriss.


“We want this documentary to be a tool to agitate, ignite, and inspire the movement and to also hopefully bring new people in,” Workman said at the screening, also noting that the film was created to “protect all of the students who are under fire right now.”

The Encampments rewinds the timeline to the organizers’ decision, on April 17, to escalate their push for the university to divest from weapons and surveillance technology manufacturers supplementing Israel’s killing and destruction in Gaza and settler expansion in the Occupied West Bank.

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The refusal of the Academy of Motion Picture Arts and Sciences (AMPAS) leadership to come to the immediate and unconditional defense of award-winning Hamdan Ballal (Palestinian co-director of No Other Land), savagely attacked by Israeli settlers and soldiers Monday, has provoked a significant crisis in the filmmaking world.

A full two days after the beating and arrest, and only in response to criticisms from No Other Land co-director Yuval Abraham, the Academy leadership broke its silence on the brutal episode and issued a perfunctory comment. That elicited an angry international reaction.

The size and character of the angry opposition to the Academy management’s kowtowing to the Zionist lobby and the Trump administration demonstrate the depth of the worldwide opposition to the mass murder and accompanying criminality going on in Gaza and the West Bank.

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Warner Bros has completed the sale we told you about a couple weeks ago for their previously shelved Coyote Vs Acme movie.

Ketchup Entertainment today confirmed their completed deal for worldwide rights to the live-action/animated hybrid film that brings Looney Tunes character Wile E. Coyote to the big screen. We had the deal pegged in the $50M range and the film is expected to get a theatrical release in 2026.

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Last night, I heard a full album of Lady Gaga singing jazz with Tony Bennett on a live stream. She's really fucking good and apparently aspired to that in the first place. Now this? Funny how people go through formative periods before landing.

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Ruby and Alter Ego, recent solo albums by Blackpink members Jennie and Lisa, each debuted at No 7 on the US album chart before dropping out of the Top 10 after one week, and neither album produced a single that peaked higher than No 68. Relative newcomers such as Tomorrow X Together, Ateez and Twice have achieved solid first-week chart positions, thanks to strong physical album sales, before facing precipitous drop-offs. NewJeans – a young, critically acclaimed new K-pop group who looked to be the genre’s strongest hope in the US after Blackpink and BTS – have been bogged down by controversies and legal dramas in South Korea, stopping them from capitalising on the success of their 2023 single Super Shy.

Even back home the genre is struggling. “K-pop has lost a lot of market traction in South Korea – the music is not being written to appeal to a Korean audience, but more to this homogenised, globalised audience,” says Sarah, the host of the Idol Cast podcast, who uses a pseudonym for fear of reprisal from K-pop fans. “It’s trying to be all things to all people, and ends up being sort of nothing to no one.”

Not a genre I've ever gotten into (ask me about trance from the turn of the century!), but it does seem as though this is self-defeating.

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The iHeartRadio Music Awards were hosted in Los Angeles on Monday evening, and the one and only Lady Gaga was honored with the Innovator Award for her illustrious career.

"Growing up, I was nothing like most of the people I was around and everything about me represented a community of alternative kids that were underrepresented in my environment," Doechii said. "I was considered weird, but it's OK, because things worked out. As a kid that identified as an artist, as queer, and as a Little Monster, Lady Gaga wasn't just a pop star, she was a lifeline. Gaga taught us that it was OK to be our real selves, to try new things, to try anything, to speak out and to create."

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Wasn't streamed, will be exclusive to Netflix on May 4. Star Wars aside, why the hell do they need so long, when some of the humour will be stale, to do post-production on an award gala? This isn't Game of Thrones, it's a bunch of people on a stage. Can't exactly go get more footage.

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I got apple tv for a bit, I bloody loved Ted Lasso (heart warming comedy), Masters of the Air (band of brothers in the sky) Mythic Quest (hilarious). I'm also half way through The Line, a documentary on an army seal accused of murdering multiple people and I'm GRIPPED

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The release of Coyote vs. Acme is starting to look more likely as Warner Bros. has been negotiating with a distributor to sell them the shelved project. The Coyote vs. Acme movie was originally cancelled by Warner Bros. in November 2023 for a tax write-off despite being complete. However, the movie started getting shopped to potential distributors after public backlash. By April 2024, it seemed the studio was unable to come to agreeable terms with potential buyers, leaving the movie shelved for the foreseeable future. However, it had not been outright cancelled despite a lack of news about its fate.

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archive.is link

In recent weeks, several Hollywood studios and entertainment companies pulled back their diversity, equity, and inclusion (DEI) initiatives following pressure from President Donald Trump’s administration. Despite this, the Screen Actors Guild–American Federation of Television and Radio Artists reaffirmed its support for diversity reform.

In a resolution passed by the SAG-AFTRA National Board Saturday, the actors union reported that the accurate portrayal of the “American Scene” is “essential to the integrity and credibility of the entertainment and media industry,” according to a letter by Fran Drescher, SAG president, and Duncan Crabtree-Ireland, national executive director and chief negotiator. In addition, the letter states that SAG diversity measures have existed since the Sixties, when the formerly known Screen Actors Guild and producers agreed to the “American Scene” clause, which affirmed a non-discrimination policy for “any actor because of race, creed, color or national origin.”

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If you are cool like me, you have probably cancelled all mega-corp owned streaming services. While it is really nice managing my own media library like an adult instead of letting corpos decide arbitrarily what I can watch on a given day, that does mean I no longer have their input on new content. So I can obviously pick up on what shows and movies are hugely popular, but that's a very small fraction of what gets released and simply non-representative of what is out there waiting.

Since most search engines are rendered useless by AI spam and SEO chasers, you can't exactly just google "best goofball comedies" or you'll just end up with the same 10-15 lousy suggestions on repeat.

Where do you go to discover shows and movies?

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