prismatic

You listen to Shadowheart's story in Baldur's Gate 3 and, since you pass no judgment, fall in love.

Not that different than a lot of the relationships I had when I was young to be honest.

Dragon Age 2 got a bad rap when it first came out - because it didn't meet the expectations set by Dragon Age: Origins and Awakening - but honestly it got reevaluated pretty quick. I don't think you'd find many people ranking it at the bottom anymore.

Inquisition strayed even further from Origins which led to early fans looking back at Dragon Age 2 as more faithful, while the big influx of fans who started with Inquisition found it much more approachable than the CRPG style of Origins. The repeated environments are also a lot less of a disappointing in retrospect than the hollow, padded MMO style open levels of Inquisition.

I think you'd see tier lists divided in to two camps - with either Veilguard/Inquisition at the bottom for CRPG fans and Origins/Awakening for the latter Mass Effect-style fans. Well, maybe Veilguard at the bottom for the latter camp too.

The Forgotten Realms has most of these

Vampire Dragons: https://forgottenrealms.fandom.com/wiki/Vampiric_dragon

Demon Unicorns: https://forgottenrealms.fandom.com/wiki/Black_unicorn

Skeleton Wizards: https://forgottenrealms.fandom.com/wiki/Lich

Fey Werewolves: https://forgottenrealms.fandom.com/wiki/Brokenstone_Vale

The only think I don't have on hand are angel ghosts and lochness mothmen in the Forgotten Realms, though I think you probably could find the former.

I was able to do it in Firefox. Opened the dev tools, went into responsive design mode, set the screen size to large enough to see the whole thing and hit the camera button to screenshot it all.

Aeon Flux is the only one I can think of not mentioned yet. 90s, Cyberpunk, Hyperviolent - it's just not Japanese, though it is animated. It's weird, and the first two seasons are are series of shorts.

Very cool, though the quality leaves a bit to be desired.

For popularity>0, we got close to all tracks on the platform. The quality is the original OGG Vorbis at 160kbit/s. Metadata was added without reencoding the audio (and an archive of diff files is available to reconstruct the original files from Spotify, as well as a metadata file with original hashes and checksums).

For popularity=0, we got files representing about half the number of listens (either original or a copy with the same ISRC). The audio is reencoded to OGG Opus at 75kbit/s — sounding the same to most people, but noticeable to an expert.

The slop ratio hasn't gotten better from abandoning that format.