TheMagicRat

joined 10 months ago
[–] TheMagicRat@lemm.ee 1 points 9 months ago (1 children)

I think the point is more that you should take care to consider why it was put there because it might be something that is not immediately obvious.

You should identify how a structure interacts with it’s current environment.

OK, but what if it was put there to stop something that only happens once every 10 years? Without taking the time to learn this, you might tear it down and then after a few years you're scrambling to solve a problem that was already solved.

[–] TheMagicRat@lemm.ee 22 points 10 months ago (2 children)

Fake, she's not even blowing on it.

[–] TheMagicRat@lemm.ee 1 points 10 months ago (1 children)

That's not exactly right, by Terminator, the machines are losing the war. That's the reason they sent the Terminator back to find and kill Sarah Connor before John is born.

[–] TheMagicRat@lemm.ee 6 points 10 months ago* (last edited 10 months ago) (1 children)

Meep Purple

Ned Zeppelin

Blank Sabbath

Whiteshake

Motorhead

[–] TheMagicRat@lemm.ee 5 points 10 months ago

Good joke. Everybody laugh. Roll on snare drum. Curtains.

[–] TheMagicRat@lemm.ee 2 points 10 months ago

Looks like glitched graphics. We truly are living in the Matrix.

[–] TheMagicRat@lemm.ee 1 points 10 months ago

I think there's been a problem with editing in Hollywood for quite a long time now. Many movies are much longer than they need to. A recent example is Anora, which could have easily trimmed 20-30 minutes of its runtime without losing any plot or character development.

[–] TheMagicRat@lemm.ee 2 points 10 months ago

Sure, but you can subvert archetypes or mix different types to make new stories. If you're going to follow one of the archetypes, you need to have good dialogue, character development, visuals, etc.