SiliconAvatar

joined 2 months ago
[–] SiliconAvatar@startrek.website 3 points 20 hours ago

So unreasonable!

Come to think of it, the joke might have worked if it was Kirk (not you) instead of Spock. It would totally track with his personality, and probably also with his and Dr Marcus' breakup...

[–] SiliconAvatar@startrek.website 8 points 1 day ago (2 children)

Yeah, the copyright says 2014, but this stinks of 1950s attitudes. "Women, amirite guys?!"

[–] SiliconAvatar@startrek.website 1 points 2 days ago (2 children)

Good thing they have loads of number one Star Trek fans in the building, whatever that means.

Is she implying that they're looking for other options than what Secret Hideout has to offer?

Well, true. LDS played it well, though. Seeing how this is the second time that the SNW writers rip off old Joss Whedon episodes from the early aughts, I'm less forgiving.

[–] SiliconAvatar@startrek.website 4 points 2 days ago (2 children)

Ah yes, I remember that Angel episode. That was a creative idea, 22 years ago.

[–] SiliconAvatar@startrek.website 2 points 3 days ago* (last edited 3 days ago)

I think Mark Gatiss is unduly criticised in some fan forums. He does fine little standalone scripts that stand out not for excellence, but for their atmosphere, attention to detail, and a good bit of quirk.

He's an old school fan, and here he clearly wanted to make a Classic Who-style historical. Ironically, the Coronation element is overshadowed by the Wire plot, the advent of television (which RTD swiped in "The Giggle"), and the terrible family dynamics.

[Edit: Duh, you're right. Moffatt also used the transmission thing to defeat the Silence in season 6]

Personal gripe, I preferred faceless Rose. They could have left her like that for a few episodes for all I care.

I will say this for the episode, the Wire is a memorable adversary for the Doctor. To this day, my family will imitate her "Hu-u-ungry-y!" part regularly. Mostly just before dinner.

[–] SiliconAvatar@startrek.website 3 points 1 week ago (1 children)

Am I right in believing you're currently living your best life? 🖖🙂

In his case, photons.

Neelix? This is the proposed Legacy show, next next generation.

Make that Alexander/Naomi Wildman/Jack Crusher...

Well, Seven would still be the captain, and it would probably be wise to have the main story not be about her, but how she leads the crew through it. I would even say, an adult Alexander who has lived a life on his own — could be interesting if done right. Which is a big if.

But with the junior LaForge and the secret Picard heir already on the crew... It all starts to reek of those franchises where generation after generation of one or two bloodlines are magically hurtled to power. Not at all what I think of with Star Trek. But I suppose that should be expected from a show called "legacy".

And I've already said my part on Terry Matalas' ideas for a geopolitical metaphor...

[–] SiliconAvatar@startrek.website 1 points 1 week ago (7 children)

The Klingons were always stand-ins for the Russians

In 1967, perhaps. The movie versions sort of took a step back from 1:1 interpretations. If anything, the Romulans are a better simile to the (Cold war/Soviet) Russians from a Western standpoint.

Echoing today, there was an unstable element in the Empire

Really, you look at contemporary Russia, and you think dissidents are the most obvious issue? Not oligarchy, state disinformation and war mongering?

TL;DR — don't let Matalas anywhere near your favourite franchise.

You and me both. I tried to lure my SO into a series rewatch before watching the new season, and she was like, "... but we can skip the lame episodes, right?"

Putting it like that, there really isn't more than (generously) four watchable episodes per season. The writing on this show is as goofy as Voyager, and as aimless as Enterprise.

 

Chris Chibnall:

“I think the biggest thing you can say about all of that is it’s very easy to miss the point ‒ that this is primarily about money.”

“It’s not really about all of the things that everybody is banging on about and moaning about or what or getting emotional about.”

 

When I click an external link from inside the app, Blorp replicates appears to open a new instance of my default browser, including all of its current tabs. It's slightly confusing because closing the tab I opened from some thread means I now have two identical browsers open, but one of them is Blorp 😉

I realise I'm just supposed to hit the back button to be returned to the app UI, but I'm new to Blorp and very familiar with my browser. You see how habits win out over what I rationally know I should do...

Did I miss some setting to open links in an internal, single tab browser instead?

 

Carole Ann Ford, who played the Doctor's granddaughter Susan in the early seasons of the show, and cameoed again in the most recent series, offers her thoughts on the current hiatus.

She's a cheerful lady, but it's hard not to read some disappointment between the lines that her historical return to the show was all but cut, with slim chances for a do-over. Ford turned 86 on 16 June.

 

BBC director-general Matt Brittin has announced that 550 of the planned 1,800 to 2,000 job cuts at the corporation will be taken from BBC News and TV and radio-related roles.

The 57-year-old has also announced the BBC is to axe programmes and cut content spending by £80 million, and added it would “review our broadcast TV channels and radio network portfolio” as more of its audience moves online, while attempting to sustain “output” and “audience value and impact”.

The BBC has not indicated which programmes would be axed under the plans.

[…]

In response to the announcement, head of media and entertainment union, Bectu, Philippa Childs, said it is “far from ideal” that the cuts are taking place at the same time as the BBC’s charter renewal.

She said: “I’m not sure how you can make informed decisions about the long-term future of the organisation when it will be in a substantially diminished place at the end of the process than the beginning.

[…]

“The charter renewal must put the BBC’s funding on a secure, long-term pathway or it risks death by a thousand cuts.”

So that's fairly dire for anybody hoping the BBC can shoulder a show like Doctor Who without substantial external funding.

 

Big caveat up front, I have no illusion that this was ever planned out, or that it's ever going to be made. I just connected some dots from Eccleston's season to our current mess. I do think that if the BBC had Pete McTighe make a 15 minute special along these lines and put it on Youtube, the fans could rest easier and the next production team might start on a blank slate.

To summarise, the last couple of seasons had a convoluted arc concerning a companion's parent issues. She was saved as a baby through time travel intervention, but not without a lot of temporal disturbance in the process. In fact, babies have been a throughline in both Ncuti Gatwa's seasons, a pattern that culminates in the Doctor rupturing the Time Vortex in order to save one child's existence. For just a probable moment there, that child is his own. Succeeding in his mission, the Doctor is then replaced by somebody looking suspiciously like Rose Tyler.

  • Church.
  • Baby.
  • Rose.
  • Temporal paradox.
  • On what could be considered the Doctor's Father's Day.

Bring on the Time Reapers to sterilise the wound in time! That's why the Doctor regenerated into this face, à la 12 looking like Caecilius from "The fires of Pompeii". She needs to channel Rose as a catalyst to heal the reset 15 did to save Poppy. Besides, where Pete sacrificed himself to sort the timestream out, this time around the Reapers are attacking the Doctor and their police box. And the Doctor's current face has a very special relation to the TARDIS' living heart.

To be fair, the rest of the story doesn't really matter, this is only meant to resolve the Billie Piper twist of "The reality war". It doesn't fix fan quibbles over the Timeless Child or the Doctor being half human on their mother's side for a hot minute in 1996. Pretty much everything other than that latest regeneration cliffhanger can be ignored or picked up upon by future writers. So end this minisode on a regeneration without showing what happens next, or just leave it open ended.

Now, would I love for Susan to pop up for no other reason than to ease her "grandfather" into the credits crawl, and a future season where neither actress are seen again? Maybe an exchange to echo the Seventh's exit monologue to Ace at the end of "Survival"? Absolutely, but this could well be a one hander between Piper, some 2005 archive footage, and the janky old low-poly CGI monsters from back then.

[made a few edits for clarity(?)]

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