Sandra

joined 2 years ago
[–] Sandra@idiomdrottning.org 1 points 2 years ago

Holy Sword! One of the best one page dungeons of all time.

[–] Sandra@idiomdrottning.org 2 points 2 years ago (1 children)

Thank you! I really loved the songs she made for Mighty Nein and Vox Machina.

@Ultragramps@lemmy.blahaj.zone @criticalrole@lemmy.world

[–] Sandra@idiomdrottning.org -1 points 2 years ago (1 children)

So while I'm always happy when people are criticizing D&D Beyond in particular or proprietary platforms in general, in this particular case it's actually against the rules-as-intended to play a 2014 Oath of the Ancient in a 2024 paladin shell.

(All house ruling aside, of course, and heaven knows I love house ruling and how house ruling is an argument against D&D Beyond.)

2014 oaths that do not have a 2024 version are still legal in the 2024 shell, but for oaths that do have a 2024 version, you've got to play the 2024 version if your group is playing D&D 5.24.

The reason for this is that some of the updated subclasses have nerfs or that features from them have been moved to the shell or otherwise taxed. Or, even the ones that have been buffed have the same issue in some sorta bid for table balance.

I cannot pick the 2014 version of things I own if they’re in 2024 content I don’t own

The intent is that it should work like this:

I cannot pick the 2014 version of things regardless of ownership if they’re in 2024 content regardless of ownership.

If Beyond platform ownership enters the equation, the Beyond team has messed up.

(Again, the word "legal" is a little silly in a game like D&D which works best when groups can change any rule, mash up editions freely etc. So please don't shoot the messenger here. I don't agree with WotC's decision here. I just remember them announcing that this was how it was going to work, even at the table with all physical books and no Beyond.)

@JackbyDev@programming.dev @dndnext@ttrpg.network

 

Shaun running a drive for PCRF:

https://www.youtube.com/watch?v=Rc_agp6b6eQ

@breadtube@lemmy.world

[–] Sandra@idiomdrottning.org 3 points 2 years ago

It's still so awesome to me that a roleplaying group is in Rolling Stone magazine.

@Ultragramps@lemmy.blahaj.zone @criticalrole@lemmy.world

1
Emacs RFC 2646 email flowing (idiomdrottning.org)
submitted 2 years ago* (last edited 2 years ago) by Sandra@idiomdrottning.org to c/emacs@lemmy.ml
 

Emacs RFC 2646 email flowing

Heck it Emacs!

A few months ago I fixed a bug in RFC 2646 handling where the last paragraph wouldn't get reflowed unless I remembered to add a hard newline (that is, a newline with the 'hard text property) after it, at EOT. I needed to hit one extra RET at the end. All other paragraphs would be wrapped, not just the last one.

(I even bugged @jas@fosstodon.org about it.)

But it still didn't always work and today I tried to get to the bottom of why, spending the entire day debugging it, finally realizing that... It's not even being called when there's only one paragraph in the email. I wasted so much time before realizing that! And then getting to the bottom of why that wasn't happening was the opposite of easy but it turnes out that Gnus by design doesn't call the fill-flowed-encode function when there aren't any hard newlines in the buffer. Which there aren't gonna be if it's a single-paragraph letter 🤦🏻‍♀️

Use-hard-newlines is beyond useless since that's always buffer-local and the text-reflowing is being done in a temp buffer. Instead since 2010 we're supposed to set mml-enable-flowed to true. But don't worry, fans of the messages-are-flowing package, I'm gonna send patches there to reflect that. I have a bunch of other changes to that package too since I've been using that a lot this summer.

This is all in bug#71017 (cursed palindrome!) for people who wanna dig in 👩🏻‍🏫

@emacs@lemmy.ml

 

I'm looking for monster lists for Journeys through the Radiant Citadel.

Like, for each of the planes in there, here's a list of appropriate monsters. It's OK if they're fan made. It's not always clear to me exactly which real-world–culture is the basis of which plane (maybe that's in the book or maybe it's supposed to be vague), but that's fine, I think these settings look awesome, but one of the main thing missing to easily expand them are encounter tables, which I could throw together if I knew like "OK, on such-and-such plane there are owlbears and stirges" or something like that.

@dndnext@ttrpg.network

 

SmplTrek note off timing?

Is there a way to set the default note off timing? (What some other sequencers call Gate Length.) Either as a device-wide setting, or for a project, for a track, for a scene or just for a clip. As it is I can only do it note-by-note.

All notes are half the length I'd want, and I have to go into them manually and crank up each one separately from 50% to 99%. I would love the sequencer if it weren't for this.

I have a workaround which is to import SMF's from any other seqencer (such as abc2midi on Linux or Atom 2 on iPad) and that works fine, using the SmplTrek more as an arranger/player than a sequencer, but since the SmplTrek step sequencer is so nice it'd be great to be able to use it directly instead.

(And another workaround is to get good and turn off quantization, that also works.)

Don't worry, I'm definitively keeping mine (as a drum machine, looper, and global tracks recorder, and as an audio interface) but I'm just a li'l frustrated with this one issue.

I know that I can make notes longer by pressing right arrow or turning the value know; I can make two eight notes followed by a quarter note for example.

But those notes will all be "staccato" since they've got a 50% gate length.

That's not always what I want especially for a midi or organ type track.

Here is an example. One track playing three notes twice, same instrument. Two fourth notes followed by a halfnote (and the halfnote sequenced by using the right arrow while holding the pad).

This is how the track looks

The first three notes are played staccato (e.g. "Note off timing" 50%, a.k.a. gate length as some other synths call it). The last three notes are played more fully, with note off timing manually set to 99% for each of the three notes.

Here is how the track sounds, first the staccato notes followed by the normal notes.

Many other sequencers, to get that staccato sound you'd set grid length to 1/4 but note length to 1/8. But on SmplTrek, it's one setting, called note length, and setting that to 1/4 as I did here results in notes with a shortened, only 50% duration.

Messing with the envelope release is no good for MIDI tracks.

So far my best workaround is to import SMF files that I've made with some other sequencer app and that's a shame since I'm so much faster and more creative with the SmplTrek's sequencer, but I just don't always want that staccato sound.

I don't wanna make a Facebook account just to post in the SmplTrek group on there. 😰

@synths@midwest.social

[–] Sandra@idiomdrottning.org 1 points 2 years ago

Kudos to CR for listening to the backlash on this illconsidered project. They must've taken quite a hit 💸 but this was not a good idea. I mean, they have their fair share of bad sponsors like NordVPN or D&D Beyond but this was a li'l too much 🤷🏻‍♀️

@Ultragramps @criticalrole

 

Yeah, I have a PPC laptop that this happened to a few years back, which felt way too soon. It's in perfect working condition except for the battery.

@activistPnk @permacomputing

[–] Sandra@idiomdrottning.org 1 points 2 years ago (1 children)

That's rich when the Google Play store is full of malware while F-Droid is full of gems.

@technology

[–] Sandra@idiomdrottning.org 1 points 3 years ago

Even outside of home if someone is curious I sometimes just say a scene and ask what they'd do or where they'd go 🤷🏻‍♀️

You're at the edge of a misty, dewey forest at the break of dawn. In front of you is a castle, and there's the forest behind you all glittering from dewdrops on the cobwebs. The nearest village is six miles away; you could get there in two hours or so. There's a well outside the castle a couple of hundred feet to the left of the entrance, which is right in front of you. Whaddayado?

It wouldn't be as blorby as I prefer but it'd be an intro to the main gameplay loop.

[–] Sandra@idiomdrottning.org 1 points 3 years ago

I believe it is a mistake selecting that particular instance for those communities.

The risk isn't just that they shut it down, there's a much worse thing that could happen: pinpoint elision (or even editing) of reporting on the genocide.

[–] Sandra@idiomdrottning.org -1 points 3 years ago

These bookburnings are a Nazi project. The guy who started them is a Nazi leader who wants Sweden and Denmark to be ethnically cleansed. And sickeningly, the entire Swedish justice system from cops through judges to politicians backed him up (and now that there are repercussions they have cold feet).

People who are like "lol muslims can't handle a li'l free speech? It's only paper" have been deceived. They've fallen right into the trap as designed by the fachos. The classic tactic: do something that the target group understands as a hate-fueled threat but that onlookers misperceive as not that big of a deal.

Free speech is vital to an open and just society. The exceptions need to be few and clearly defined. (Counterfeits and frauds being a pretty commonly understood one.) I hold that inciting hatred against the outgroup should be such an exception.

Karl Popper put it perfectly:

Unlimited tolerance must lead to the disappearance of tolerance. If we extend unlimited tolerance even to those who are intolerant, if we are not prepared to defend a tolerant society against the onslaught of the intolerant, then the tolerant will be destroyed, and tolerance with them.