How has no one mentioned Tom Waits.
He has some good songs, but his voice sounds like a alley cat with a stomach full of garbage who won't let you sleep. I know that it's the point for some ppl, but I can't stand it.
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How has no one mentioned Tom Waits.
He has some good songs, but his voice sounds like a alley cat with a stomach full of garbage who won't let you sleep. I know that it's the point for some ppl, but I can't stand it.
The Heart of Saturday Night is like a more palatable gravely lounge singer.
Guns and Roses in '91 or so. God I loved them so, every song. When we got a chance to see them in OKC, with some band I'd never heard of, Crashing Gourds?, something like that.
We were tripping acid and the crowd was wild, should have been fun. They came out 2-hours late, screamed shit into the microphone, beat their instruments and left. Sometimes I couldn't even tell which song they were playing, that bad.
And worse, the opening band, who later became wildly popular, was apparently booed. We were late and had missed them.
Guy from lost prophets
That guy is the biggest piece of shit, hope he rots in prison
Pearl Jam's cover of "Last Kiss" can fuck off forever. Turned me off the band for a solid decade.
I despise The Macarena in ways I cannot put into words.
As general commercial acts... probably Tad? They were a proto-grunge band that did nothing interesting and vanished once Nirvana took off. They tried being 'heavier than God's balls' and utterly whiffed at out-heavy-ing the then-struggling thrash-metal market. Honestly, not even Slayer thought they could top Reign In Blood, and it wasn't until 1994's apparently fantastic heroin glut that albums like Jar Of Flies and When The Kite String Pops started really challenging the limits of chugga-chugga music. Destroy Erase Improve reset the scoreboard in '95, but nobody noticed until years later.
This is an interesting analysis. 'Heavy' is a nebulous enough concept in music that being so definite with assertions like this is basically inviting contention. It can only ever really be a discussion as opposed to anything concretely absolute.
... as opposed to the objective "worst" in the root question?
Yeah, that's fine.
I'm just saying there was plenty going on between '86 and '94 to challenge the limits of chugga-chugga as you put it. And I won't argue against Destroy Erase Improve being a watershed album, and I'd even consider it a respectable stance if you want to say it might be the heaviest record ever if that's your opinion, but it's not like it's an unquestionable monolith that no other records from around or before then could stand up to.
I didnโt care for Last Kiss, but I did like that they released it for charity and made $10 million for Kosovo refugees.
I have been fighting my way through the "1,001 albums you must listen to before you die' list, and there have been some truly terrible albums.
New York Dolls, debut album
Brian Eno, my life in the bush of ghosts
Marquee Moon, television
Slade, slayed?
Sugarcube, life's too good
Barry Adamson, Oedipus Schmoedipus
Animal collective, Merriweather Post Pavilion
Heaven 17, Penthouse And Pavement
And the worst album I have ever heard on my life, king of garbage music Lou Reed and his garbage band of notmusic and pretention: The velvet underground, The Velvet Underground & Nico
Animal Collective, there is an artist I felt like I got conned into buying