this post was submitted on 11 Nov 2024
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For your ask on c&c, I think your color choices generally are good. If I were doing this, I'd start by basecoating all the areas as the darkest shade of their color, and then painting up from there while keeping in mind important deep folds like the fingers and the borders between objects. Paint up to a very bright color. Maybe some volume highlighting if you are feeling adventurous- I usually imagine the light source off over one shoulder or the other. Minimal use of washes, and any washes only used for lining and not for all over the surface. Using a black or dark blue or purple wash to line different objects to give them distinction from each other if needed. My goal would be bright and crisp, with well defined shapes.
Specifically for a yellow Mohawk, I'd paint it orange first and then go with yellow highlights, moving up to yellow-white at the corners and tips.
For any of the gold, if you paint the area purple first and then gold atop, while letting the purple show at the edges and recesses it gives it some depth. A tiny bit of silver to highlight the gold at the highest points helps.
Man, thank you so much for this. I've learned a ton from your tips. I'm taking a short break from miniature painting to work on some larger pieces, but having the fine detail skill helps to make parts of my larger models pop.
I'm working on a small-mediun Poseidon statue now, and I'm mimicking the color scheme from my "blue skinned half giant" per request. Already I'm enjoying the skin tones much more because I've learned a good amount since then.