A few days back, I wondered if I could achieve focus stacking doing the macro rock-your-camera-to-focus trick. For the uninitiated, the idea is that slight movement of your camera toward and/or away from your subject is an easier focusing method than using the focus ring on your lens.
I thought my logic was straightforward:
- Focus breathing means that even if you're using a tripod photo stacking software will still have to deal with shot-to-shot variation in framing/perspective
- My body does not support focus bracketing
- My body does have high burst rates
Put the three together and here we are. The daisy in the post is 39 images fed into helicon focus 9. I've now spent a total of 10 minutes with this software and it's super easy. Here's one of the photos in the stack to give you a feel for how thin the depth of field was:
For kicks, here are two more stacks. They're not super compelling photos, but they do show that the concept is viable.
Everything in this post was shot at f/4 on a Sigma 35mm f/2 with 26mm of extension tubes in the great outdoors with no additional lighting.
That would be a successful prediction on your part! The real issue is that I'm mainly housebound due to my disease, it's not easy for me to get around, and doing physical stuff outdoors can be rather draining. A big part of why my hobbies have shifted towards reading, writing and online reviewing.
There absolutely are from my understanding. Take enough photos and the software does all the work. Other software can also re-create blind or blocked spots via their AI.
Try macro shots of random items around the house, that's always fun to play with. One of my nicest around-the-house shots is of the ball on a ball point pen
The level of precision that goes into every day items is truly amazing.
I'm sorry to hear that friend! I'm happy that you're still finding outlets to engage with.
Macro photography might be worth a quick glance at depending how mobile you are. Life in miniature can look otherworldly.
Yeah, I hear you and @ryannathans@aussie.zone about the macro photography. I like looking at others' stuff (ever hear of "Eyeball Benders" from Games Magazine?) but I deal with so much image handling as part of my other projects that I'm just not looking to branch out at this time. Or if I did, I'd prolly want to get back in to what I used to do, which was watercolor and art experiments.
Anyway, thank you for the good wishes. 🙂