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Jurassic Park, Terminator 2, TMNT ‘89, Lord of the Rings.
Whatever the JP franchise is now, it will never go back to full scale animatronics, and without Stan Winston’s magic, it’ll never be quite what the first (and a bit of the second) were.
Cameron himself can’t recreate the magic of T2 even if his films make billions. He never risks having to “nail this in one shot” stunts.
As for TMNT. Nobody gives a shit they’re suits, we could suspend our disbelief and watched mindblowing performances by great stuntmen in some of the most advanced animatronics ever. Michael Bay can’t even fathom how much better that is.
The Hobbit was plagued by a lot of problems, but I don’t know if even Jackson could pull off the practical effects with digital overlay magic that was the first trilogy if he tried.
That era of Hollywood, practical first, digital to enhance (sparingly) is gone it seems. It’s sad Hollywood has forgotten that that boundary pushing era was what made those films iconic. Rexy had weight, she literally tore a car apart. You can see the chaos of the semi landing in the canal. The turtles hit. The Riders of Théoden truly rode for ruin. Tell me you don’t get giddy when you know that scene is about to hit.
Jurassic Park used CGI for many of its dinosaur scenes, they weren’t all animatronic.
What animatronics were used in LOTR? Gollum was CGI.
I’m not saying you’re wrong but some of your examples don’t seem right.
As I said, practical first, digital secondary or to enhance seems to be the secret sauce of creating something stunning. Most of the intimate shots with Rexy and the kids are practical. When she busts through the sunroof and tries to eat them… terrifyingly real because there’s a “real” thing attacking them. LOTR is real for a different reason- physical armor, cast of thousands. Compare the Rohirrim and armies of Mordor in that movie to the unified CGI mess that is the Battle of Five Armies in the Hobbit. Even using physical miniature sets for the big locations like Minas Tirith gives them weight.