Doctor Who Social Club
A community for discussing all things Doctor Who.
Rules
1 Be constructive
All posts/comments must be thoughtful and balanced.
2 Be welcoming
It is important that everyone from newbies to longtime fans feel welcome, no matter their gender, sexual orientation, religion or race.
3 Be truthful
All posts/comments must be factually accurate and verifiable. We are not a place for gossip, rumors, or manipulative or misleading content.
4 Be nice
If a polite way cannot be found to phrase what it is you want to say, don't say anything at all. Insulting or disparaging remarks about any human being are expressly not allowed.
5 Spoilers
Utilize the spoiler system for any and all spoilers relating to the most recently-aired episode. Spoiler protection will not be granted to information that is out in the mainstream media.
6 Keep on-topic
All submissions must be directly about the DW franchise (the shows, movies, books, etc.). Off-topic discussions are welcome at c/Quarks.
7 Meta
Questions and concerns about moderator actions should be brought forward via DM.
Upcoming Episodes
| Date | Episode | Title |
|---|---|---|
| 12-07 | TWB 1x01 | "Homo Aqua" |
| 12-07 | TWB 1x02 | "Plastic Apocalypse" |
| 12-14 | TWB 1x03 | "The Deep" |
| 12-14 | TWB 1x04 | "The Witch of the Waterfall" |
| 12-21 | TWB 1x05 | "The End of the War" |
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But the BBC is a lot more programming and news than just Dr Who.
To understand why BBC is losing money, you have to understand that it's mostly funded by annoying "television license fees" paid by UK residents.
In the last 20+ years, the number of televisions and radios taxed by the UK government has decreased as more video and audio entertainment has moved to computers and mobile devices.
This is while living and production costs have risen.
Yeah, I can't say I'm a big economics nerd, but there have been signs for years that the BBC has struggled financially. And although some prefer to see that in isolation from specific programmes (or just ignore it), it's clear with the shift toward co-productions that the license fees alone can't carry big costume or effects-laden productions.
Also, the relative freedom of production within a public funded broadcaster has given us the rich and weird Doctor Who lore that we have —and that's even disregarding the extended universe of Big Finish and novel ranges. I couldn't imagine quite the same emerging within a fully commercial framework... even though we are posting this to a startrek.website community 🙂