As an art-fancier and someone who dabbles myself, I've always gotten a kick out of the creation process, from "thumbnail" to penciled page, to an inked page, and finally a fully-colorized one.

I spotted these two pages on Tumblr yesterday, I believe from the English-language volume Good Golly, Mr. Goof!

...and combined them in to the lead image at top. Color makes a world of difference, non??

Now I forget who posted them exactly (whups), but you can skim Tumblr's BD stream if you like. It's quite nice, featuring lots of stuff I haven't gotten to yet, plus a good amount of stuff I've never heard of.

Ah, and some previous examples of the page creation process below...

EDIT: Imgur currently screwing up the content of the next two, whilst preserving the third. 🙄

Béatrice Tillier:
https://lemm.ee/post/36811732

Tintin, the lost "Picaros" page:
https://lemm.ee/post/17935055

Kriss of Valnor: (haven't shared it here yet formally)
https://imgur.com/a/creation-process-of-la-montagne-de-temps-mountain-of-time-v7-of-kriss-of-valnor-from-world-of-thorgal-series-6BYBHWP

NOTE: Hey y'all-- I don't know how it is for you, but for me, any page that leads with an Imgur pic needs to be manually clicked to view, such as in the first two links just above. In other words, for me it won't show up as a thumbnail that can be 'popped open.'

My working theory is that the problem was introduced in Lemmy v. 0.19.7, which is what this instance is running. (you can check it at bottom of page)

Now maybe-possibly this is fixed in 0.19.8, but I'm not sure. If you can see the thumbnails yourself, could you reply with which Lemmy version your instance is running? Thanks! 😃

Carrying on from this earlier post, here's Ms. Bengalore the cat (and animal representative) doing the utterly unthinkable by confronting the castle's tyrant-ruler Silvio the bull in his headquarters, surrounded as he is by canines who'd love nothing better than to rip her throat out.

Note: I have one more 8-page sequence I've picked out to share, but it's unrelated, and I need to format it, too. So, enjoy this page for now:

Par for the course, the elites of this so-called 'socialist' community force the underlings to gather wood and work to expand the castle during winter, then use their wages (buttons) to pay for enough wood in order to avoid freezing during the night.

But, hark! The lower beasts, after much hardship and debate, have decided to try a different course. It took a lot for them to get there of course, but now they're ready to risk their lives and put their paws down for this step in revolution.

Welp, this has been a tremendous series so far, with the French-language issues still being published. If all goes well, they'll later get collected and translated in to the final book (four) in the series. Oh, and one thing I forgot to mention last time-- each ~22pp issue features a cover (or is it a back?) of a fictional gazette published by the ruling class. I find them super-clever. For example:

More covers and sample pages can be seen at BDT: (scroll down)
https://www.bedetheque.com/serie-60691-BD-Chateau-des-Animaux.html

I don't remember where I first discovered her art, but it was just about love at first sight. I posted the owl pic before at the loverly c/SuperbOwl, but I wanted to share a bit more of the goodness. So, let's go:

Among the Camellias

Barred Owl

Vasilisa Romanenko is a Connecticut-based illustrator, designer, and fine artist. She creates paintings and drawings inspired by botany, natural history, and textile design. Her artwork depicts the mystery, beauty, and fragility of nature through the use of botanical elements, intricate patterns, and vivid colors.

Elderberries

Aquatic Nocturne

Vasilisa sees her paintings as windows into a magical world, much like the one she enjoyed getting lost in as a child while reading fairy tales. She creates artwork using both traditional and digital mediums. Vasilisa graduated with a degree in Illustration from the Fashion Institute of Technology.

Harvest Mice

Primavera

Much more goodness at her site:
https://www.vasilisaart.com/

EDIT: Problem with her website at the moment, so...

Etsy:
https://www.etsy.com/shop/vasilisaart/?etsrc=sdt

Instagram:
https://www.instagram.com/vasilisa.romanenko/?hl=en

More:
https://www.google.com/search?q=%22Vasilisa+Romanenko%22+%22art%22

https://warandpeas.com/2016/10/23/hacker-dog/

One of my favorite four-panels. Love War and Peas and their humour.

Bought two comics and framed them, this is one of them.

Oof, somehow I don't believe I've posted any of Jason's work here before, who is in fact 59yo John Arne Sæterøy from Norway, who now lives in France.

So what can I say about "Jason?" Well... I find him a fascinating BD+ creator, one who started as a fairly traditional comics artist, but quickly developed a unique visual style featuring lean, upright pseudo-animal figures, universally drawn with rather hauntingly empty eyes and spare expressionism.

I find there's a strong minimalism to his disciplined art that inclines the reader to focus on the dialogue, plot, and thought experiments going on. For make no mistake-- Jason is all about dry wit, subtle satire, thoughtful pauses, understated surrealism, pure nonsense, and sly commentary on the human condition. Altogether, there's really nothing quite like it from what I've read in comics.

His recent 2022 book contains 12+ stories in which he really lets his experimentation fly, altho of course, always within his disciplined framework of art & narrative. Across his other books, he also tells more conventional stories that span the entire album, sometimes in collaboration.

Now, out of his two-dozen or so works, I've really only read ONE that dragged for me, i.e. the travelogue On the Camino, a non-fiction work about his frankly unremarkable days hiking a famous trail in Spain.

Below are a couple highlights from Upside Dawn stories that should give you a taste of his work:

These are from the chapter Woman, Man, Bird.

SPOILER ALERT: The setting is a blind dinner date, and I think it pretty clear it's about how we can so easily talk past each other, only superficially connecting. Jason sure has a load of fun with the premise, as all this stretches on for something like 14 gonzo pages(!) oO

These are from Perec, P.I.

SPOILER ALERT: The idea here is that the dialogue gets cut off in each panel, leaving the reader to imagine what's next. I thought it a really cool idea, altho it kind of blows up in the end, shifting to a different, less interesting premise.

This all brings to mind the idea that Jason, through these short stories, is often establishing narrative templates that (he or) other creators could possibly use and expand upon in their own works. In fact, I find there's something of a creative lineage here that flows somewhat from Yves Chaland's work on Freddy Lombard, such as Comet of Carthage, which might be said to flow somewhat from Pop Art legend Roy Lichtenstein's work.

Actually, I think there are other counterpart creators in the States who belong in such a discussion, such as Dan Clowes, Charles Burns, and others. They stand out to me because they allow a sort of wild, 'Indie / Alt' energy in their stuff, but tend to express it in a rather formal, flawlessly-clean style.

Anyway, let's wrap things up by taking a look at the full Seal VII story. AFAIK it borrows a premise from the 1957 Swedish movie, The Seventh Seal, which I haven't seen yet. This was really the first story in the UD book that I liked from beginning to end. See what you think:

-----> https://imgur.com/a/VZu1eC4 <-----

Anybody know anything about the 'Largo Winch' character? What media would you recommend? Also, is it pro-rich / pro-cop? My understanding is the guy inherits billions but he’s from the criminal classes and hates the upper-classes… not really sure what class message is being sent

https://lemm.ee/post/51033313

Okay, this isn't quite meant as a full overview of the series, but I will try to answer your Q's. NOTE: one of the pics is kinda spoiler-ish, so be aware:

I find LW to be a tremendously fun, interesting and thrilling series, altho NB-- that's as someone who doesn't have nearly the financial & big business acumen to critically evaluate the way in which the money and corporate matters unfold.

So, Largo is a young billionaire with an atypically strong drive to be directly involved in his businesses, and specifically to operate in a moral, highly principled manner. This seems like somewhat of an absurd, storybook premise, but it works splendidly, as it puts him in the position to be attacked, betrayed and sabotaged by any number of enemies, some of them within his own organisations(!)

Also, is it pro-rich / pro-cop?

Overall I think it tends to be fairly critical of the rich, as the series routinely presents wealthy players as being cutthroat and ruthless, altho generally-speaking, Largo's wealthy associates tend to be portrayed as mostly trustworthy and principled. As for cops, there's not much of any commentary, far as I recall. I'd say they're usually presented briefly as people just doing their jobs.

My understanding is the guy inherits billions but he’s from the criminal classes and hates the upper-classes… not really sure what class message is being sent

Yes, the origin story is rather interesting. A very rich relative who's dying of cancer discovers Largo to be a long-lost relative, and bequeaths him his fortune and businesses. This goes far I think to explain why Largo doesn't remotely have the 'spoiled heir' kind of personality, and is instead so very hands-on. Um, now I don't really remember him being a criminal of any significance, altho in some of his missions and quests, he probably does break some laws along the way... almost always in a good cause. I don't remember him particularly hating the upper classes either, altho it's true that their typical behavior often causes him hardships.

As for an overall message, I find that Largo's a bit like a Robin Hood / Bruce Wayne character, with a dash of the Count of Monte Cristo thrown in. For example, beyond striving to grow his empire, Largo's generally trying to use his wealth and power to make the world a better place, frequently clashing with rich, powerful figures who are plainly out to exploit the world for their own ends. In that sense I find the series again kind of story-bookish, as my suspicion is that virtually any corporation, no matter how benignly run, is probably a net negative in contributing to late-stage capitalism and the erosion of sustainable civilisation.

Still, regardless of how true that is, I find LW to be a gem of a series, and a rare one that takes big business scenarios most people wouldn't normally think would be very interesting, and turns them in to fascinating, edge-of-your seat thrillers. So, big, BIG thumbs up to this series from me. And btw-- I'm only familiar with the graphic novels, not the... TV series or movie which I recall being made at some point.

Btw, it's not really a surprise that the great Belgian writer Jean Van Hamme is behind this super-franchise, as he's also done stellar work on a number of other series, such as Thorgal and Lady S (my favorites), but also XIII, Chninkel, Wayne Shelton, Rani, and many others.

You can read more about the individual BD tomes at BDT:
https://www.bedetheque.com/serie-14-BD-Largo-Winch.html

French title: Les compagnons du crépuscule, which ran from '84-'90.

Right away, this reminded me both of Hermann's Les tours de Bois-Maury series, as well as his personal art style, altho Bourgeon doesn't draw his faces nearly as homely as Hermann does. (oof, I still don't know what's up with that)

(note that these image samples don't necessarily run parallel to the commentary!)

Driven by chance, a facially-scarred Knight takes Mariotte and Anicet on his quest for redemption, the meaning of which he himself can barely make out. In the first volume, the three companions fall asleep in the "Wood of Mist" and enter a dream in which there is talk of strange elves and a beast to fight. This first dreamlike quest is a narrow success. --BDT

In the second opus, the elves of the Wood of Mist call on the companions for help to deliver them from the Dhuards, a goblin-esque, vicious, oppressive race. Once again, most of the story takes place in a dream, but as the companions sense, it is no less important and dangerous.

Finally, in the last episode, the companions arrive at the town of Montroy, where they decide to spend the winter. Dame Neyrelle, lord of the castle, is not indifferent to the arrival of the knight in her city, and schemes to have the companions accommodated in the castle...

TBH, this series (and the thoroughly mediocre translation I read) were somewhat hard to grapple with. On the one hand, I'm rather fascinated by stories about this time-period, but frankly could have gone without the 'legendary monster' aspects, truth being chronically more fascinating to me than fiction, and all that.

But really, what kept me hanging on was Bourgeon's relentless imagination and sincere dedication to the story. To me, there were lots of little 'bumps on the road' (some of them translation-issues), but the overall story kept pulling me in, again and again. Like, face it, dude-- it's got verisimilitude! :D

Anyway, this being my first read-through, I don't want to judge too much in any particular direction, but I'd say that people who like late-medieval stuff should really dig this, for sure. And then a bunch of others, for various interest-levels, for various reasons.

https://www.bedetheque.com/serie-109-BD-Compagnons-du-crepuscule.html

Spotted this on a French BD forums, and it made me laugh. 🙂

For those new to BD, the original is like this:
https://i.imgur.com/TgHVK2t.jpeg

Btw, my French is still pretty basic, but from what I understand, the French word "biscuit" means "cookie" in English. Meaning that Snowy/Tintin didn't just gobble up some crackers, but in fact, gobbled up an entire box of sugary treats. oO

Diabetes Jones, diabetes Johnson, oh dear...

EDIT: Oh whoops, I guess it was actually the professor who stole the cookies(!) I believe he was still in hiding at this point.

Now in terms of the above--
I remember some interesting science articles from a couple years ago, in which it was posited that communal trees of even *wildly* different species had the ability to communicate via roots (and etc), able to execute communal plans based on impending threats and such, for example a fire / blight / infestation / etc.

Meanwhile, from my completely-amateur studies of ants & termites (thanks E.O. Wilson ❤️), I got the sense that creatures with even very limited neurological-matter (such as individual but social, insect brains) could nevertheless function incredibly well by virtue of pheromones and 'the hive-mind.' Such as ants, rather famously.

Anyway, let's GO:

Fun discussion, or not?

Oh, but the main theme of this really nice (but unfortunately short) book is the 'transporter dilemma' from Star Trek, et al. I.e., what part of you gets lost in the official-genetic-replication process, and is it entirely YOU who arrives at the terminus. Like-- does your soul arrive safely, too?

I'll take sci-fi concepts that scare the hell out of me, Alex!

This is evidently a quarterly magazine of unique, Astérix-related goodies and games that's been running since 2016. I've only seen samples so far, not a full issue.

The Balloon-Romans

I think the idea above is that our heroes previously tricked the Romans in to consuming one of Getafix' other potions that they really shouldn't have, setting up this bizarre panel. Was it from one of Uderzo's solo albums? (I forget)

A couple more covers, above. Some pretty good ideas there, I thought, for example the left one collecting many of the junior guest stars.

The idea above (as you can see) is that Obelix is trying to use the hanging mistletoe to his advantage, and it keeps backfiring hilariously.

EDIT: Whoops! I initially thought this was some post-Uderzo work, and was properly amazed, but nope-- it's from the golden age. I wonder when and where it might have originally been published, though.

Anyway, there are many more samples from the issues here:
https://asterix.com/actualites/asterix-max-le-gros-magazine-de-vos-heros-preferes/

Now does the mag make it all the way to French Canada? I wonder...

IIRC, when my grandmom on my Anglo side passed away, she left us one of these, and it instantly became part of the tradition. For those unfamiliar, it's a little ceramic tree with colorful plastic pegs. (Lite-Brite, anyone?) For real, I've always found these and 'bubbler lights' to be my two favorite Xmas symbols or toys, I guess one might say.

Indeed, even as a middle-aged blokie (well, supposedly), when I happen to see a swing-set in a playground, there really is no force on Earth that can prevent me from rushing over, planting my rump on an empty seat, and swinging like mad for the next 10-20min or so. It's a trance-state, I suppose, not unlike when I find myself staring at my beloved 'bubblers,' unaware how much time has actually passed.

Er, uh... yeah, let's get to the point, Johnny. 😳 SO!... for some years now it seemed that these cute little ceramic trees were priced exorbitantly high in my area, until finally, I found a version available at my local CVS (pharmacy / general store) for a mere US$20. Score!

Just that it was powered by batteries and LEDs, which I discovered was a nice way to drive up EverReady stock, or exhaustingly to recharge batteries (piles / cells) on a daily basis. But now, in the pic above, I've clumsily attempted to replace the LED apparatus with a small incandescent bulb. For now, I've just sort of laid the re-wired bulb on a plate so as not damage the amazing, tiny Peruvian, leather-bound stand it all rests on.

One last note upon all that is that of course the photo doesn't nearly capture the magically warm glow of the little tannenbaum. Really, it's more like a hybrid between the lead pic and this below:

That is, one has more color-precision, with the other having more 'glow,' yet still not representing the overall light situation. (anybody good photogs at that stuff?) BONUS PTS: from L-R, that's my bamboo Chinese practice-sword, my table tennis net (really hard to see, I'm afraid), and my Bug-A-Salt (tm) counter-mosquito assault rifle (it fires salt particles to hopefully kill small flying disease vectors).

*foof*
Haha, so how are your holidays going, mateys? Anything crazy / funny to share? 🙂

Ah, but at the same time... in the wholesome spirit of Festivus' airing of grievances, let's get to my own... absurdities:

At this point I want to share that (as Nacky pointed out to me in private a long time ago), I do have a short fuse, and I find it embarrassing in retrospect when I get pissed off over something, or bring down the value of our community, or am just plain rude to any of our readers & members.

"Oh hello, Johnny speaking. Shitheads Are Us!"

Specifically, I recently felt super-offended by the negative reaction to my Tintin fanpost, in which it seemed like people lazily assumed that I just 'pressed a button,' got a result, then shamelessly shared it to this sublemmy. In reality? I came up with the specific idea, battled with GPT over many drafts, and finally put together the final form I was satisfied with. Only to be met with derision, on the whole. And of course, I acted childishly upon that.

In terms of my hurt feelings, let's just cut to the chase, though--

I've not just created this community for the (hopefully) public good, and not just put hundreds of man-hours in to consistently creating content for y'all, but I've been doing so whilst dragging this godamn CFS/ME around, which renders me typically exhausted and achey. Indeed, many times I try to 'hack' reality, by doing up a load of caffeine, *too* much aerobic exercise, or kratom, topped off by some booze, or whatever, and then posting here.

And for sure, sometimes I make embarrassing mistakes, such as this premature Paul post, or just in general getting bent-out-of-shape over my fantasy upon a proper NYC victory parade, in which everyone just *adores* my clever contributions to the world. XD

Eh, this is also leaving out some major bitchings of mine, but that's also part of why I feel solidarity with some here-- i.e. I perceive this as a rather rough time that most of us are dealing with right now, and I hope we can collectively focus more on solidarity and solutions.

Love and Festivus to ye all. <3

(and don't forget to air your grievances, daggit!)

So I was catching up on the Paul stories the other day, which I find to be a truly excellent French-Canadian semi-biographical series of BD novels. From what I've read so far, they span Paul's life & times, from his punky, destructive, 12yo days, all the way to his middle-age. It's really good stuff IMO, with some interesting drama and painful growth sequences, altho sometimes it can be a bit bland, eh. BUT, as I always say-- storytelling is KING, and Michel's got that in spades.

Now, part of what caught my eye in this particular story was:

Because dangit, I'd never previously heard of Robert La Palme in comics, and I love that! Like-- who WAS this guy?

Now, in terms of the "AI" accusations? Well, me, I'm a *huge* fan of color, and I liked spicing up a couple of my favorite panels. I'm not trying to hurt anyone here, and if you're not happy with my efforts upon this sublemmy? Then honestly, this place probably isn't a good fit for you.

Respect for reading and considering, and finally, here's Paul in the Metro:

https://imgur.com/gallery/slice-of-paul-metro-by-michel-rabagliati-which-paul-friend-revisit-whats-left-of-67-expo-montreal-qQMY0WD

Cautionary children story, the text is just rhymed description of the pictures.

I don't know exactly when and where it was published, maybe it is from 1950 book with same name.

https://imgur.com/gallery/slice-of-paul-metro-by-michel-rabagliati-which-paul-friend-revisit-whats-left-of-67-expo-montreal-qQMY0WD

Michel Rabagliati, 7 pages)

This is part of a game-book series by "Hachette Jeunesse," in which the goal is to seek and find a few characters in each double-page landscape. If you like these, I previously rounded up some cool Where's Waldo/Wally panoramas here.

EDIT: ...and... of course, Imgur bumbled away the images, so I'll have to rebuild them one day, hopefully.

In this particular book there are 12 such games to play, and I'll give you one of my favorites, The Boarding Party. Click or zoom the images to expand:

The goal is to
find these six!

Now here's the puzzle:

From what I understand, Uderzo himself did the art, and the book was originally published in 2010. I'll edit in the answer key in a couple days!

HINT: Idéfix being the smallest is really hard to spot, but I can tell you that he's not on the two ships, and you can only see his head.

Does anyone here know if this style has a name...?

(Haha, so embarrassing to ask, as Picasso is just about my favorite artist of all time, but I just don't know if this period / style had a specific name. Like, it's not the Blue Period, right..?)

Anyway, here's the whole piece, Musicians:

So here I am, in general posting a lot these days after getting over my humiliating butthurt the other day, but I'm also kinda... elsewhere in my thoughts, these days.

Would someone here like to do a little rundown / exploration of Mssr Barrios' art? If so, it would be appreciated. ❤️

Here's some google examples of the blokies' stuff:
https://www.google.com/search?q=%22Armando+Barrios%22+art&udm=2

MUSIC:
I don't know how and I don't know why! But somehow I find that this Scottish music is nicely suiting the art: https://www.youtube.com/watch?v=5eDNvfhCmz0

(life is so odd, inexplicable and funny sometimes, or maybe just... "whatever")

Does that show up okay?
I usually don't paste a full page as the thumbnail / lead image, so please let me know if it's hard to see.

Anyway, that's ~~Dutch~~ Flemish, mad-woman character Esther Verkest, with my earlier introduction being here.

I find her a crazy, counter-cultural figure that vastly needs more translations in to English, not unlike good ol' Henk!

I find this Josephine series by Penelope Bagieu to be a low-key scorching, nuanced, deeply-hilarious send-up / commentary upon modern culture and social norms. Here's the full page:

This comes from the Switching Sides albums, in which Josephine "betrays" her single friends in order to settle down with a guy. *gasp*

More on Bagieu here:
https://www.lambiek.net/artists/b/bagieu_penelope.htm

These come from the 1985 album La métamorphose d'Imhotep ("Imhotep's Transformation").

Papyrus was a popular series that ran in Spirou magazine for over 40 years, concluding in 2015. It got turned in to an animated TV series, and Cinebook translated a number of the books for the English-speaking market.

The backstory here is that the Pharaoh Merneptah (son of Ramses the Great) came to the throne as an old man of 70yrs, evidently leaving some questions about his fitness to rule in the minds of some. The day before, agents of the high priest of Memphis managed to poison the Pharaoh, leaving him quite unable to run the yearly 'three laps around the park' ceremony in order to prove his vitality. Yet before the event, princess Théti-Chéri and our main character Papyrus desperately hatch a wild scheme to temporarily substitute a lookalike for Merneptah. The problem? He has a bum leg...

More backstory needed: meanwhile, Papyrus becomes temporarily trapped in an underground tomb, and inadvertently allows the rays of Ra, the sun god, to strike the vault of Thoth the ibis god (called "Imhotep" here for some reason), who'd been imprisoned there. The enormous ibis as well as countless of his mummified, yet rejuvenated followers arise...

In most books there's a dramatic, supernatural scene like this, and I enjoyed how this one recapitulated the one in Tintin's Inca adventure, a scene itself based on Cristoforo Colombo's showmanship involving the 1504 lunar eclipse.

SPOILER ALERT

I should probably stop right there, buuut I'm just too tempted to share a little more of the series, as well as to wrap up this sequence. The last little bit of backstory needed is to note that after a successful side quest, a vital medicine was found to help Pharaoh recover, just in time.

Review time:
I found Papyrus to be somewhat dated and campy, but overall a fun series. It's a bit hit-or-miss at times, but has some strong volumes, such as this one. The obvious constraint was that it ran in installments in the weekly Spirou, and had to play to its audience, not having the time to develop in a more sophisticated fashion, as with the superb Alix Senator, which shares a good bit of Egyptian world-building. That said, De Gieter interjects a surprising amount of historical detail in to the books, so there are real opportunities to learn and get some sense of what various customs and deities were like.

More on De Gieter:
https://www.lambiek.net/artists/d/degieter_lucien.htm

Hilda is an absolute corker of a British series, by Luke Pearson, set in a modern-mythic Scandinavia. I've previously touched on it here, but was recently (and pleasantly) reminded, just now.

Specifically, these pages come from book four, Hilda and the Black Hound.

"We're not invisible." (what a friggin' line)

From my POV (i.e. my perspective), it's dang-ol' rare to the point of vanishing that a series is magnificently simple & loverly on the surface, yet packed to the nines with excellent meaning and curiosity. Honestly, I'm not quite sure I've ever seen the like before across comics.

"Check it out if you can"
(that's my little whisper mode, hehe)

"Kitsa" being a character from Magic The Gathering, which I've never actually played. Once upon a time I would have burned in shame for admitting that, but as an aging blokie, I fear my face-to-face gaming days belong solidly to the past. (not that there isn't real regret and longing for those days, mind you)

*ahem*

So this is a quick & dirty test post for now, as I've recently been having a devil of a time getting lead images to host & display correctly. The problems seem to go back to our instance updating to the latest 0.19.7 version of the Lemmy software around 3-4 weeks ago. On the positive tip, at least the Imgur issue seems to be logged in GitHub as a bug, hopefully to be fixed so that most of our post thumbnails will start showing up again when browsing at the community level. *gulp*

But yeah, it's been pretty dang frustrating over here, especially given my recent gloomy mood in the wake of the recent election, also a time in which I need to haul arse in order to get my affairs in order, and 'nuff sed on that.

Anyway! ...assuming this time the image works, Petersen is one of my honorary LC artists, one whose stuff is gorgeous to look at, and who for me, renders his animal characters remarkably faithfully, and not just as 'anthro-furries.' Here's another sample for now:

Ah, I've done one other post about his stuff, highlighting his wonderful Black Axe series.

Haha, dude, That can't possibly be true, ROIGHT?

https://lemm.ee/c/eurographicnovels

These images and the main part of the text were created by ChatGPT, with a healthy dose of revision, addition, guidance, recombination, and of course, laying out the basic story elements by... some silly person. That said, GPT absolutely did the lion's share of the heavy-lifting here, and I'm quite impressed by the results(!) Note: the other two "Tintin" images are simply earlier models that I was unsatisfied with; just thought I'd include them for fun's sake.

TBC-- this little exercise was conceived as an answer to the challenge posted here.

EDIT: For those downvoting, could you explain why you just did that? The reason I ask is mainly because I've busted my arse on this community for well over a year, with hundreds of my best content and mini-review posts shared for what I thought was the public good.

Indeed, have you read the side-bar and do you understand the mission of this sub? Thanks for explaining, if you choose to.

The Case of the Vanishing Vintage

The morning sunlight filtered through the antique windows of Marlinspike, catching on rows of mismatched gadgets cluttering the Professor’s workshop. The Captain paced the drawing room, clutching his hat as if it might float away. “Gone! My last bottle of 1927 Herringbone Reserve!” he bellowed. “Do you know what that means, lad?”

Tintin adjusted his cap, surveying the Captain with calm curiosity. “It means someone here has suspiciously good taste in whiskey,” he quipped.

“No, it means calamity! It means treachery!” The Captain leaned close, his voice dropping to a whisper. “And it means I’ll have to drink… gin,” a look of plain contempt on his face.

The boy detective sighed. “I’ll find it, Captain. Start from the beginning.”

Before the Captain could stammer out a reply, the Professor bustled in to the room, holding what appeared to be a metal umbrella with a whisk attached to the tip. “Ah,” the Professor exclaimed. “I’ve just solved Cutts’ problem of pigeons on his chimney. All it took was a spot of clever engineering!”

“What kind of engineering?” asked Tintin, tilting his head.

“Oh, nothing special—magnets, gears, a bit of wire…” The Professor trailed off and tapped the umbrella’s handle thoughtfully. “And a vessel of a certain, shall we say, vintage quality to balance the structure.”

The Captain, oblivious to the implication, waved a hand. “Yes, yes, but what about my whiskey?”

“I’m sure it’ll turn up,” the Professor said cheerfully. “Now if you’ll excuse me, I’ve got a blueprint that needs refinement.”

The boy detective watched the Professor leave, his brow furrowed. Then he glanced at Snowy, who cocked his head expectantly. “Hmm…” the lad muttered.

It wasn’t long before Tintin and Snowy were on the cobblestone streets of the nearby Belgian town, weaving through bakers, bicyclists, and buskers. They found Cutts standing outside his shop, eyeing his roof with a mix of awe and terror.

“Cutts,” called the boy detective, “where’s the Professor’s invention?”

“Oh, it’s up there,” Cutts replied, pointing to a rotating monstrosity on the roof. The umbrella whisk twirled energetically, flinging breadcrumbs into the sky at intervals. “Thing scares off pigeons but attracts swans. I’ve got three nesting in my chimney now.”

Tintin tilted his head, observing the contraption as Snowy barked sharply. His eyes darted to the base of the device, where a faint glint caught his attention. “Great snakes!” he exclaimed.

Scrambling up the drainpipe with Snowy close behind, he finally reached the mechanism. Wedged in a tangle of wires, unmistakable amid the absurd construction, was the Captain’s whiskey bottle.

“Got it!” he shouted triumphantly. Snowy gave an approving yap, his tail wagging.

But just as he reached to grab it, the mechanism sputtered and roared to life, flinging the bottle skyward. Snowy barked furiously, and the boy detective muttered under his breath, “Of course it wouldn’t be that easy.”

Just then, a despairing, spine-chilling wail met their ears from the street below, as it seems Captain Haddock had been surreptitiously following the investigation, finally understanding what had happened and what had just occurred.

EDIT: Days later and damn, I see I made a major 'fox paw,' here. As in, the professor would be nowhere near able to communicate so easily with the others. Also, it seems like the ending's just a little inadequate. Hmm...

https://www.youtube.com/watch?v=1YOL-Cm5RmQ

This dance scene is from the sublime, somewhat controversial movie Excalibur (1981), which examined the legendary early mythos of King Arthur, the late Celtic-Romanic king of legend, who might possibly have existed in the 600's-700's AD.

Centuries later, Thomas Malory gave these stories some real wings, and I always loved those stories as a lad. Now, I've seen various productions over time when it comes to the Arthurian mythos, but I've always felt that the Boorman film (1981) was levels above, really.

Would you like to know more? Here's a two-part scene from that... beknighted movie, in which Arthur is a young king, asserting his might--

King Arthur vs. Lancelot:
https://www.youtube.com/watch?v=Af-N8CLLoqU

Excalibur... I call on your power:
https://www.youtube.com/watch?v=2C8fB8p6crY

Sometimes I forget that Disney comics are not just an American thing, but have been thriving in Italy since 1932, specifically via Topolino magazine and associated publications. Interestingly, the output has not been solely Italian nor American, but evidently a mix of original content from both nation's creators.

Here's the published cover above, with thanks to t/dirtyriver for the find:

In recent years France's Glénat publishing house has joined the fun, but has been tending to go in more gonzo directions, not unlike various creators doing guest shots on Lucky Luke.