Art

470 readers
713 users here now

THE Lemmy community for visual arts. Paintings, sculptures, photography, architecture are all welcome amongst others.

Rules:

  1. Follow instance rules.
  2. When possible, mention artist and title.
  3. AI posts must be tagged as such.
  4. Original works are absolutely welcome. Oc tag would be appreciated.
  5. Conversations about the arts are just as welcome.
  6. Posts must be fine arts and not furry drawings and fan art.

founded 1 month ago
MODERATORS
351
 
 

cross-posted from: https://lemmy.dbzer0.com/post/54971741

Using nothing but a hammer and chisel.

352
 
 
353
 
 
354
 
 
355
 
 
356
 
 
357
 
 

cross-posted from: https://lemmy.dbzer0.com/post/54812946

Dancing Girl is a prehistoric bronze sculpture made in lost-wax casting about c. 2300–1751 BC in the Indus Valley Civilisation city of Mohenjo-daro (in modern-day Pakistan), which was one of the earliest cities. The statue is 10.5 centimetres (4.1 in) tall, and depicts a nude young woman or girl with stylized ornaments, standing in a confident, naturalistic pose. Dancing Girl is highly regarded as a work of art.

In 2016, a Pakistani barrister, Javed Iqbal Jaffery, petitioned the Lahore High Court for the return of the statue, claiming that it had been "taken from Pakistan 60 years ago on the request of the National Arts Council in Delhi but never returned". According to him, the Dancing Girl was to Pakistan what Da Vinci's Mona Lisa was to Europe. However, no public request to India has been made by the Pakistani government.

358
 
 
359
 
 
360
 
 
361
 
 
362
 
 
363
 
 
364
 
 
365
 
 

Screenshot_20251018-130536_SubstackScreenshot_20251018-130545_SubstackScreenshot_20251018-130600_SubstackScreenshot_20251018-130609_Substack

366
 
 

Screenshot_20251018-125926_SubstackScreenshot_20251018-125935_SubstackScreenshot_20251018-125946_SubstackScreenshot_20251018-125959_Substack

367
 
 

Screenshot_20251018-100444_SubstackScreenshot_20251018-100435_SubstackScreenshot_20251018-100417_SubstackScreenshot_20251018-100452_SubstackScreenshot_20251018-100424_Substack

368
 
 
369
 
 

Screenshot_20251018-095920_SubstackScreenshot_20251018-095927_Substack

370
 
 

Screenshot_20251018-095414_SubstackScreenshot_20251018-095358_SubstackScreenshot_20251018-095351_SubstackScreenshot_20251018-095406_SubstackScreenshot_20251018-095343_Substack

371
 
 

The Sanskrit Mosques of Asirgarh and Burhanpur should be UNESCO world heritage sites.

They remain unique in the Islamic world, with Sanskrit verses carved directly into the mihrab of a mosque. They praise Allah, the agent of creation (सृष्टिकरतृ), in the manner of a classical Sanskrit prashasti.

They were erected by the Faruqis of Khandesh, perhaps the most intriguing and forgotten Sultans in India.

Notably, the Faruqis use of Sanskrit here was not an isolated case. In 1907, the historian Hira Lal recorded evidence of Sanskrit manuscripts, transcribed in Persian script, being passed down in Burhanpur’s Muslim families.

https://substack.com/@travelsofsamwise?r=1wlet9

Sam Dalrymple is one of my favourite historians despite a young career. Loved his debut book.

372
 
 
373
 
 

cross-posted from: https://lemmy.dbzer0.com/post/54962961

substack-1d0a734d-e16f-4581-a9ad-b241d55bc410substack-b6098dfa-4323-48a6-b729-83ae63ec78c0

substack-57b5ddaa-53f3-4077-b2ff-11b259d48982

These are not photographs

374
 
 
375
 
 
view more: ‹ prev next ›